{"id":5160,"date":"2015-07-25T19:59:00","date_gmt":"2015-07-25T19:59:00","guid":{"rendered":"http:\/\/norddahl.org\/fjallabaksleidin\/?p=5160"},"modified":"2015-07-25T19:59:00","modified_gmt":"2015-07-25T19:59:00","slug":"vidskiptabann-manudir-3-og-4","status":"publish","type":"post","link":"https:\/\/norddahl.org\/fjallabaksleidin\/?p=5160","title":{"rendered":"Vi\u00f0skiptabann: M\u00e1nu\u00f0ir 3 og 4"},"content":{"rendered":"<p>\u00dea\u00f0 eru tveir m\u00e1nu\u00f0ir li\u00f0nir fr\u00e1 \u00fev\u00ed \u00e9g s\u00ed\u00f0ast gaf sk\u00fdrslu um h\u00e1lfs\u00e1rslanga b\u00f3kmenntavi\u00f0skiptabanni\u00f0 sem \u00e9g setti \u00e1 mitt eigi\u00f0 g\u00f3\u00f0a kyn. Au\u00f0vita\u00f0 er \u00feetta vi\u00f0skiptabann undirorpi\u00f0 alls kyns undan\u00fe\u00e1gum \u2013 fyrir \u00fea\u00f0 fyrsta les \u00e9g einsog allir a\u00f0rir frekar stefnulaust \u00fea\u00f0 sem lendir \u00e1 Facebookfl\u00e6\u00f0inu m\u00ednu og \u00fear lendir helv\u00edti miki\u00f0 af b\u00f3kmenntum, a\u00f0allega lj\u00f3\u00f0um, og \u00e9g les \u00feau jafnt \u00fe\u00f3tt \u00feau s\u00e9u skrifu\u00f0 af f\u00f3lki me\u00f0 typpi, \u00e1 typpinu, me\u00f0 typpinu, einsog \u00fea\u00f0 teljist ekki me\u00f0 af \u00fev\u00ed \u00fea\u00f0 er \u00e1 t\u00f6lvuskj\u00e1. \u00cd \u00f6\u00f0ru lagi er \u00e9g alls ekki fullkomlega frj\u00e1ls um hva\u00f0 \u00e9g les \u2013 b\u00f3kmenntir eru l\u00edka vinnan m\u00edn. Fyrri m\u00e1nu\u00f0inn \u00feurfti \u00e9g me\u00f0al annars a\u00f0 lesa heila b\u00f3k eftir sj\u00e1lfan mig upph\u00e1tt, tv\u00f6 leikrit (b\u00e6\u00f0i eftir karlmenn), og \u00ferj\u00e1 risast\u00f3ra hauga af ritsm\u00ed\u00f0um \u2013 lj\u00f3\u00f0um, sm\u00e1s\u00f6gum og fyrirlestrum \u2013 fyrir eitt n\u00e1mskei\u00f0 \u00fear sem \u00e9g var a\u00f0 kenna, anna\u00f0 n\u00e1mskei\u00f0 \u00fear sem \u00e9g \u00feurfti a\u00f0 velja inn \u00fe\u00e1tttakendur (og ver\u00f0ur haldi\u00f0 eftir r\u00fama viku) og fyrir r\u00e1\u00f0stefnu sem \u00e9g s\u00f3tti \u00ed Finnlandi. Eftir h\u00f6funda af \u00f6llum hugsanlegum kynjum, \u00fej\u00f3\u00f0ernum og ekki s\u00edst aldri. Nema hva\u00f0. Fyrri m\u00e1nu\u00f0inn las \u00e9g sem sagt bara eina einustu sk\u00e1lds\u00f6gu og ger\u00f0i \u00fea\u00f0 \u00e1 l\u00fash\u00e6gu temp\u00f3i. Everything I never told you eftir Celeste Ng, fr\u00e1 Bandar\u00edkjunum. D\u00f3ttir Lee fj\u00f6lskyldunnar finnst drukknu\u00f0 \u00fati \u00e1 st\u00f6\u00f0uvatni og enginn veit hvers vegna \u2013 h\u00fan byrjar svol\u00edti\u00f0 einsog \u00feriller \u2013 og svo kemur \u00ed lj\u00f3s a\u00f0 foreldrar vita eiginlega ekkert um d\u00f3ttur s\u00edna og b\u00f3kin ver\u00f0ur einhvers konar \u00edhugun. \u00c9g f\u00e9ll ekki fyrir \u00feessu. \u00dea\u00f0 er eitthva\u00f0 vi\u00f0 bandar\u00edsk ritlistarskrif, \u00feetta er of f\u00edn\u00edsera\u00f0, b\u00fai\u00f0 a\u00f0 umskrifa \u00fea\u00f0 of oft og einhvern veginn einsog \u00fea\u00f0 s\u00e9 aldrei hj\u00f3la\u00f0 \u00ed sj\u00e1lfa hugmyndina \u2013 meira a\u00f0 segja \u00e1t\u00f6kin ver\u00f0a tilger\u00f0arleg og \u00e9g finn ekki fyrir kj\u00f6tinu og bl\u00f3\u00f0inu. \u00dea\u00f0 var \u00fe\u00f3 ein sena \u00fear sem m\u00f3\u00f0irin fer \u00ed dagb\u00e6kur d\u00f3ttur sinnar og uppg\u00f6tvar a\u00f0 \u00fe\u00e6r eru allar t\u00f3mar \u2013 d\u00f3ttirin haf\u00f0i sest ni\u00f0ur og \u00fe\u00f3st skrifa \u00ed \u00fe\u00e6r \u00e1rum saman, ra\u00f0a\u00f0 \u00feeim snyrtilega \u00ed hillurnar, merkt \u00fe\u00e6r me\u00f0 dagsetningum, en aldrei skrifa\u00f0 neitt. Sem var \u00fer\u00fagandi. Og svo voru einhverjar p\u00e6lingar um merkingu \u00feess a\u00f0 vera af as\u00edskum \u00e6ttum \u00ed Bandar\u00edkjunum (einsog pabbinn \u00ed fj\u00f6lskyldunni) \u2013 en svo sem ekkert n\u00fdtt. Seinni m\u00e1nu\u00f0inn las \u00e9g svol\u00edti\u00f0 meira fyrir sj\u00e1lfan mig. \u00dear m\u00e1 fyrsta nefna En Plastig Trea eftir Petru Hulova \u2013 h\u00fan er t\u00e9kknesk og \u00e9g las b\u00f3kina sem sagt \u00e1 s\u00e6nsku, titillinn myndi \u00fatleggjast Plastkennd \u00feriggja herbergja \u00edb\u00fa\u00f0 e\u00f0a \u00e1l\u00edka. B\u00f3kin er eiginlega bara einr\u00e6\u00f0a v\u00e6ndiskonu sem b\u00fdr \u00ed t\u00e9\u00f0ri \u00edb\u00fa\u00f0. Hulova fetar einhverja \u00f3tr\u00falega f\u00edna sl\u00f3\u00f0 milli \u00feess a\u00f0 fegra starfi\u00f0 og ford\u00e6ma \u00fea\u00f0, s\u00fdna \u00fea\u00f0 \u201eeinsog \u00fea\u00f0 er\u201c (e\u00f0a einsog ma\u00f0ur \u00edmyndar s\u00e9r a\u00f0 \u00fea\u00f0 geti veri\u00f0). Merkilega miki\u00f0 af rei\u00f0inni (ekkert pun) \u00ed b\u00f3kinni (sem er g\u00f3\u00f0ur skerfur af) v\u00edsar annars \u00fat \u00far \u00edb\u00fa\u00f0inni og \u00fat \u00ed samf\u00e9lagi\u00f0 og margar kaldranalegustu og sk\u00f6rpustu einr\u00e6\u00f0urnar sn\u00faa a\u00f0 st\u00f6\u00f0u v\u00e6ndiskonunnar sem neytanda \u00ed neyslukapphlaupinu (\u00feegar h\u00fan fer \u00ed t\u00edskub\u00fa\u00f0irnar a\u00f0 ey\u00f0a peningunum). Mj\u00f6g gott. \u00dea\u00f0 v\u00e6ri l\u00edklega rangt a\u00f0 segja a\u00f0 \u00e9g hafi lesi\u00f0 Gone with the Wind eftir VANESSU PLACE (altso, ekki Margaret Mitchell). Verki\u00f0, sem er einhvers konar konseptlj\u00f3\u00f0, og er stundum bara kalla\u00f0 GWTW, gekk \u00fat a\u00f0 tweeta allri sk\u00e1lds\u00f6gunni (eftir Margaret Mitchell). Vanessa, sem er bandar\u00edskur l\u00f6gfr\u00e6\u00f0ingur og konseptsk\u00e1ld sem hefur a\u00f0allega unni\u00f0 me\u00f0 texta um kynfer\u00f0isofbeldi, byrja\u00f0i \u00e1 \u00feessu \u00e1ri\u00f0 2009 og lauk \u00fev\u00ed fyrir svona tveimur vikum. \u00deetta vakti enga s\u00e9rstaka athygli lengst af en einhvern t\u00edma fyrr \u00ed sumar, eftir a\u00f0 Kenny Goldsmith var h\u00fa\u00f0skamma\u00f0ur fyrir a\u00f0 lesa r\u00edmixa\u00f0a krufningarsk\u00fdrslu Michaels Brown sem sitt eigi\u00f0 lj\u00f3\u00f0, lenti h\u00fan \u00ed p\u00f3lit\u00edsku hakkav\u00e9linni \u2013 var rekin \u00far skipulagningarnefnd fyrir AWP r\u00e1\u00f0stefnuna, afb\u00f3ku\u00f0 \u00e1 upplestra og h\u00e1t\u00ed\u00f0ir, og almennt \u00fath\u00fa\u00f0a\u00f0 \u00e1 internetinu. Vegna \u00feess sem sagt a\u00f0 b\u00f3kin er alveg hryllilega ras\u00edsk og a\u00f0 Vanessa s\u00e9 \u00ed verkinu a\u00f0 endurfremja ras\u00edskan gj\u00f6rning. \u00c1standi\u00f0 var\u00f0 n\u00f3gu alvarlegt til \u00feess a\u00f0 NCAC (National Coalition Against Censorship) s\u00e1 s\u00e9r \u00e1st\u00e6\u00f0u til \u00feess a\u00f0 gera athugasemdir vi\u00f0 me\u00f0fer\u00f0ina. Hva\u00f0 um \u00fea\u00f0, svo lauk \u00feessu og fjalla\u00f0 var um Vanessu \u2013 sem er svo n\u00edstandi g\u00e1fu\u00f0 og risk\u00ed a\u00f0 \u00e9g svitna bara af \u00fev\u00ed a\u00f0 hugsa um hana \u2013 \u00ed Dismagazine , \u00fear sem h\u00fan sag\u00f0i me\u00f0al annars: [GWTW] is in part about social media, and the way social media works,\u201d says Place. \u201cAnd social media is an aesthetic medium. What happens when you have overt antagonism or antagonistic content, on social media? On the surface, it\u2019s so much based on affinity, and liking, and following, and a sense of community. But at the same token, the only way to consistently affirm your community is by having something to rally against. And then we can find out who our friends really are. It\u2019s predicated on [the fact that] we all think the same thing. We don\u2019t go to social media to be confronted by things we don\u2019t understand or don\u2019t agree with, which is maybe why we go to museums, or conferences, or universities. Do we really want museums and galleries, especially museums, to be curating based upon what people know they already like? Annars er alveg \u00f3h\u00e6tt a\u00f0 m\u00e6la me\u00f0 allri greininni \u00ed Dismagazine. En \u00e9g las au\u00f0vita\u00f0 ekki \u00f6ll tweetin heldur las \u00e9g bara brot og brot og \u00f3hemju af greinum um gj\u00f6rninginn \u00fear sem hann var krufinn og (fyrst og fremst) ford\u00e6mdur. Og \u00e9g hef aldrei lesi\u00f0 Gone with the Wind eftir Margaret Mitchell, hef ekki einu sinni s\u00e9\u00f0 myndina. B\u00f3kin sem \u00e9g las best \u00feennan m\u00e1nu\u00f0inn var Vitsvit eftir Athenu Farrokhzad, sem er s\u00e6nsk af \u00edr\u00f6nskum \u00e6ttum. Af \u00fev\u00ed \u00e9g er a\u00f0 \u00fe\u00fd\u00f0a hana. Og \u00fe\u00e1 heitir h\u00fan Hv\u00edtsv\u00edta \u2013 sem er ekki fulln\u00e6gjandi \u00fe\u00fd\u00f0ing en \u00fea\u00f0 eru engar fulln\u00e6gjandi \u00fe\u00fd\u00f0ingar \u00e1 neinu. H\u00e9r er l\u00edti\u00f0 \u00f3fulln\u00e6gjandi s\u00fdnid\u00e6mi: Fa\u00f0ir minn sag\u00f0i: V\u00e6ri h\u00e6gt a\u00f0 keppa \u00ed p\u00edslarv\u00e6tti myndi m\u00f3\u00f0ir \u00fe\u00edn gera allt til a\u00f0 tapa M\u00f3\u00f0ir m\u00edn sag\u00f0i: Hjarta\u00f0 er ekki einsog hn\u00e9\u00f0 sem m\u00e1 beygja a\u00f0 vild Fa\u00f0ir minn sag\u00f0i: Jafnvel haninn sem ekki galar f\u00e6r a\u00f0 sj\u00e1 s\u00f3laruppr\u00e1sina M\u00f3\u00f0ir m\u00edn sag\u00f0i: En ef h\u00e6nan verpir ekki ver\u00f0ur h\u00fan borin fram \u00ed kv\u00f6ldver\u00f0 \u00de\u00e1 las \u00e9g Landi\u00f0 sem ekki er til sem er \u00farval lj\u00f3\u00f0a eftir Edith S\u00f6dergran \u00ed \u00fe\u00fd\u00f0ingu Njar\u00f0ar P. Njar\u00f0v\u00edk. \u00c9g hef \u00f3tr\u00falega l\u00edti\u00f0 lesi\u00f0 S\u00f6dergran \u00fe\u00f3tt \u00e9g eigi einhvers sta\u00f0ar heildarsafni\u00f0 \u00e1 s\u00e6nsku en \u00fea\u00f0 er samt skr\u00edti\u00f0 a\u00f0 lesa \u00feetta \u00e1 \u00edslensku \u2013 ekki vont, bara skr\u00edti\u00f0, m\u00e9r s\u00fdnist Nj\u00f6r\u00f0ur gera \u00feetta vel og af vandvirkni. En stundum finnst m\u00e9r l\u00edka einsog \u00e9g b\u00fai einfaldlega ekki yfir n\u00e6gri hugarr\u00f3 til a\u00f0 lesa S\u00f6dergran einsog h\u00fan \u00e1 skili\u00f0. \u00c9g hneigist til \u00feeirra lj\u00f3\u00f0a sem b\u00faa a\u00f0 or\u00f0agn\u00f3tt og \u00fea\u00f0 eru nokkur \u00feannig \u00fearna, nokkrir \u00f3\u00f0ir s\u00e1lmar \u2013 vi\u00f0kv\u00e6mu lj\u00f3\u00f0in h\u00f6f\u00f0a s\u00ed\u00f0ur til m\u00edn. E\u00f0a kannski h\u00f6f\u00f0a \u00feau s\u00ed\u00f0ar til m\u00edn. En eitthva\u00f0 einsog \u00feetta er mj\u00f6g gott: Afsaki\u00f0 \u00feumalinn. \u00cd g\u00e6r keypti \u00e9g m\u00e9r svo tv\u00e6r lj\u00f3\u00f0ab\u00e6kur \u00ed Stokkh\u00f3lmi (eiginlega \u00ferj\u00e1r, en s\u00fa \u00feri\u00f0ja b\u00ed\u00f0ur haustsins, e\u00f0a ein og h\u00e1lf gerir \u00fea\u00f0). Det h\u00e4r \u00e4r hj\u00e4rtat er n\u00fdjasta lj\u00f3\u00f0ab\u00f3k hinnar s\u00e6nsku Bodil Malmsten og s\u00fa fyrsta \u00ed 22 \u00e1r. B\u00f3kin fjallar um dau\u00f0ann \u2013 og er st\u00f3rkostleg, s\u00e9rst\u00f6k tegund af k\u00edmnisorgarbl\u00f6ndu. Sn\u00f6gg\u00fe\u00fdtt d\u00e6mi.  M\u00e9r er svo illt Hversu illt?<br \/>\n \u00c1 skalanum einn til t\u00edu<br \/>\n Hversu illt?<br \/>\n Hvers illt er \u00fe\u00e9r<br \/>\n n\u00fana? \u00dea\u00f0 er sorgar\u00fej\u00e1lfinn \u00ed Ropsten<br \/>\n alla \u00f3helga mi\u00f0vikudaga<br \/>\n fyrir 15 \u00fe\u00fasund kall \u00e1 t\u00edmann Ma\u00f0ur tekur lei\u00f0 55 \u00e1<br \/>\n lokastoppist\u00f6\u00f0ina<br \/>\n Ropsten Hjarta mitt brestur<br \/>\n M\u00e9r er svo illt \u2014 S\u00e1rsaukinn situr \u00ed heilanum<br \/>\n segir sorgar\u00fej\u00e1lfinn<br \/>\n Ekki \u00ed hjartanu<br \/>\n S\u00e1rsauki er bara<br \/>\n tilfinningin Hugsa\u00f0u um eitthva\u00f0 anna\u00f0<br \/>\n Anda\u00f0u<br \/>\n Einbeittu \u00fe\u00e9r a\u00f0 einhverju utan vi\u00f0 sj\u00e1lfa \u00feig<br \/>\n S\u00e6stu vi\u00f0 \u00e1standi\u00f0 Manneskjan m\u00edn er dau\u00f0<br \/>\n \u00c9g vil vera dau\u00f0  \u2014 Settu \u00fea\u00f0 \u00ed or\u00f0<br \/>\n segir sorgar\u00fej\u00e1lfinn<br \/>\n \u00ed Ropsten<br \/>\n \u00ed Ropsten<br \/>\n \u00ed Ropsten Gr\u00e1ttu!<br \/>\n L\u00e1ttu \u00fea\u00f0 va\u00f0a<br \/>\n Tala\u00f0u um \u00fea\u00f0<br \/>\n og \u00fe\u00e1 l\u00ed\u00f0ur \u00fe\u00e9r betur M\u00e9r l\u00ed\u00f0ur verr<br \/>\n \u00c9g vil fara heim S\u00ed\u00f0asta lj\u00f3\u00f0ab\u00f3kin, sem \u00e9g las bara h\u00e1lfa af h\u00e1kynjafr\u00e6\u00f0ilegum \u00e1st\u00e6\u00f0um, er Nervsystem, safn af lj\u00f3\u00f0um ungra danskra sk\u00e1lda \u00ed s\u00e6nskri \u00fe\u00fd\u00f0ingu. Str\u00e1karnir b\u00ed\u00f0a fram \u00ed okt\u00f3ber \u2013 en \u00e9g las lj\u00f3\u00f0 eftir Maju Lee Langvad (sem \u00e9g hef \u00fe\u00fdtt og \u00feekki vel og d\u00fdrka), Amalie Smith, Julie Steen Knudsen, Louise Juhl Dalsgaard, Asta Olivia Nordenhof og Olgu Ravn. Vi\u00f0 fyrsta lestur hreifst \u00e9g mest af Knudsen og Nordenhof en \u00e9g held a\u00f0 \u00fea\u00f0 geti l\u00edka veri\u00f0 vegna \u00feess a\u00f0 \u00fe\u00e6r s\u00e9u a\u00f0gengilegastar vi\u00f0 fyrstu s\u00fdn. \u00c9g er a\u00f0 sp\u00e1 \u00ed a\u00f0 redda m\u00e9r eitthva\u00f0 af \u00feessum lj\u00f3\u00f0um \u00e1 upprunam\u00e1linu og \u00fe\u00fd\u00f0a og l\u00e6t \u00fev\u00ed vera a\u00f0 birta nein d\u00e6mi n\u00fana. Svo las \u00e9g l\u00edka Lj\u00f3sm\u00f3\u00f0urina eftir K\u00f6tju Kettu fr\u00e1 Finnlandi \u2013 sem \u00e9g \u00e1 a\u00f0 skrifa um fyrir TMM og kemur \u00fat \u00ed haust. E\u00f0a \u00e9g \u00e1 a\u00f0 skrifa um K\u00f6tju, sem er a\u00f0 koma \u00e1 b\u00f3kmenntah\u00e1t\u00ed\u00f0 (hvar \u00e9g ver\u00f0 l\u00edklega fjarri g\u00f3\u00f0u gamni sj\u00e1lfur). \u00c9g hugsa a\u00f0 \u00e9g segi \u00feess vegna sem minnst um b\u00f3kina n\u00fana, nema a\u00f0 tungum\u00e1li\u00f0 sem h\u00fan er skrifu\u00f0 \u00e1 er \u00f3tr\u00falega magna\u00f0 og \u00fe\u00fd\u00f0ing Sigga Karls er brj\u00e1l\u00e6\u00f0islega g\u00f3\u00f0, einhver besta \u00fe\u00fd\u00f0ing sem \u00e9g hef lesi\u00f0 lengi. H\u00e9r er sk\u00fdrsla fyrir fyrsta m\u00e1nu\u00f0inn  og h\u00e9r fyrir annan .<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00dea\u00f0 eru tveir m\u00e1nu\u00f0ir li\u00f0nir fr\u00e1 \u00fev\u00ed \u00e9g s\u00ed\u00f0ast gaf sk\u00fdrslu um h\u00e1lfs\u00e1rslanga b\u00f3kmenntavi\u00f0skiptabanni\u00f0 sem \u00e9g setti \u00e1 mitt eigi\u00f0 g\u00f3\u00f0a kyn. Au\u00f0vita\u00f0 er \u00feetta vi\u00f0skiptabann undirorpi\u00f0 alls kyns undan\u00fe\u00e1gum \u2013 fyrir \u00fea\u00f0 fyrsta les \u00e9g einsog allir a\u00f0rir frekar stefnulaust \u00fea\u00f0 sem lendir \u00e1 Facebookfl\u00e6\u00f0inu m\u00ednu og \u00fear lendir helv\u00edti miki\u00f0 af b\u00f3kmenntum, a\u00f0allega &hellip; <a href=\"https:\/\/norddahl.org\/fjallabaksleidin\/?p=5160\" class=\"more-link\">Halda \u00e1fram a\u00f0 lesa: <span class=\"screen-reader-text\">Vi\u00f0skiptabann: M\u00e1nu\u00f0ir 3 og 4<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5160","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5160"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5160\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}