Fyrir \u00feremur \u00e1rum s\u00ed\u00f0an kom \u00e9g \u00e1samt h\u00f3pi norr\u00e6nna h\u00f6funda til sm\u00e1b\u00e6jarins Marbach \u00ed \u00de\u00fdskalandi, sem er me\u00f0al annars fr\u00e6gur fyrir a\u00f0 vera f\u00e6\u00f0ingarsta\u00f0ur lj\u00f3\u00f0sk\u00e1ldsins Friedrichs Schiller. \u00dear \u00ed grenndinni er a\u00f0 finna miki\u00f0 safn um Schiller sem og \u00fe\u00fdsku b\u00f3kmenntaark\u00edfurnar og safn sem \u00feeim fylgir \u2013 Safn n\u00fat\u00edmab\u00f3kmennta \u2013 \u00fear sem m\u00e1 sko\u00f0a frumritin af R\u00e9ttarh\u00f6ldunum eftir Kafka og Berlin Alexanderplatz eftir D\u00f6blin, auk fleiri verka. \u00dear eru l\u00edka dau\u00f0agr\u00edmur af fr\u00e6gu f\u00f3lki \u2013 t.d. af nafna Schillers, Nietszche. Ark\u00edfurnar sj\u00e1lfar eru baksvi\u00f0s, fyrst og fremst \u00e6tla\u00f0ar fr\u00e6\u00f0im\u00f6nnum. \u00deanga\u00f0 fengum vi\u00f0 l\u00edka a\u00f0 fara, af \u00fev\u00ed vi\u00f0 erum s\u00e9rst\u00f6k, og \u00fear fengum a\u00f0 handfjatla alls kyns merkilega gripi \u2013 til d\u00e6mis sm\u00e1s\u00f6gu eftir Kafka, Der Riesenmaulwurf. \u00c1 Schillersafninu handan vi\u00f0 grasfl\u00f6tina s\u00e1um vi\u00f0 f\u00f6tin hans Schillers (hann var mj\u00f6g l\u00e1gvaxinn) og lokk \u00far h\u00e1ri hans \u2013 en hi\u00f0 vins\u00e6la lj\u00f3\u00f0sk\u00e1ld sendi gjarna \u00e6stustu kvenkyns a\u00f0d\u00e1endum s\u00ednum sl\u00edkan d\u00fdrgrip a\u00f0 gj\u00f6f. Sem sagt. Frumrit a\u00f0 sk\u00e1ldverkum. Dau\u00f0agr\u00edmur. F\u00f6t sk\u00e1lds og lokkur \u00far h\u00e1ri hans. * * * M\u00e9r hefur lengi \u00fe\u00f3tt hugmyndin um frumriti\u00f0 \u2013 e\u00f0a eintaki\u00f0 \u2013 mj\u00f6g heillandi, sem og \u00fe\u00e6r hef\u00f0ir og venjur sem skapast \u00ed kringum \u00fea\u00f0 \u2013 hva\u00f0 vi\u00f0 upplifum sem orginalt e\u00f0a einstakt. \u00cdslenskan \u00e1 ekkert n\u00f3gu gott or\u00f0 yfir autencitet \u2013 eitthva\u00f0 sem er ekta, ekki tilb\u00fai\u00f0, ektleiki. S\u00fa hugmynd er l\u00edka alveg m\u00f6gnu\u00f0 \u2013 \u00ed V\u00edetnam eru allar t\u00faristafer\u00f0ir augl\u00fdstar me\u00f0 or\u00f0inu authentic og m\u00e9r s\u00fdnist svipa\u00f0 uppi \u00e1 teningnum \u00e1 \u00cdslandi. \u00c1 me\u00f0an sta\u00f0reyndin er au\u00f0vita\u00f0 s\u00fa a\u00f0 Dunkin\u2019 Donuts \u00ed Hafnarstr\u00e6ti eru ekkert minna authentic \u00edslenskir en eitthva\u00f0 l\u00edfr\u00e6nt gistih\u00fasab\u00fdli \u00fat\u00e1landi. Kannski er st\u00e6rsti sannleikurinn um okkur eitthva\u00f0 mj\u00f6g plebbalegt og mj\u00f6g fjarri \u00fev\u00ed sem vi\u00f0 myndum segja um okkur ef vi\u00f0 fengjum bara a\u00f0 r\u00e1\u00f0a sj\u00e1lf. En eintaki\u00f0. Eintaki\u00f0 er g\u00e6tt ektleika en tilvist \u00feess er brig\u00f0ul \u2013 eintaki\u00f0 getur ey\u00f0ilagst. \u00deegar \u00e9g var barn ey\u00f0ilag\u00f0i br\u00f3\u00f0ir minn einu sinni fyrir m\u00e9r hatt \u2013 aflaga\u00f0i hann. Foreldrar okkar \u00e6tlu\u00f0u a\u00f0 b\u00e6ta m\u00e9r \u00feetta upp me\u00f0 \u00fev\u00ed a\u00f0 gefa m\u00e9r hattinn hans, sem var n\u00e6stum alveg eins. En \u00fea\u00f0 hef\u00f0i ekki skipt neinu m\u00e1li \u00fe\u00f3tt hann hef\u00f0i veri\u00f0 alveg n\u00e1kv\u00e6mlega eins \u2013 hatturinn minn var \u00f3n\u00fdtur og hann k\u00e6mi aldrei aftur. \u00dea\u00f0 er hef\u00f0 fyrir \u00fev\u00ed \u00ed myndlist a\u00f0 b\u00faa til skort svo hvert verk s\u00e9 einstakt e\u00f0a einstakara. \u00deannig eru flest myndlistarverk ger\u00f0 \u00ed einungis einu eintaki \u2013 skemmist \u00fea\u00f0 er listaverki\u00f0 horfi\u00f0. \u00d6nnur eru fj\u00f6ldaframleidd \u00ed takm\u00f6rku\u00f0u upplagi. V\u00ed\u00f0a eru l\u00f6g um \u00fea\u00f0 hversu miki\u00f0 megi fj\u00f6lfalda verk \u00e1\u00f0ur en \u00fea\u00f0 h\u00e6ttir a\u00f0 vera \u201eeinstakt\u201c \u2013 og h\u00e6ttir a\u00f0 nj\u00f3ta lagalegrar verndar sem sl\u00edkt. \u00deannig l\u00f6g eru ekki \u00ed gildi \u00e1 \u00cdslandi, \u00fea\u00f0 \u00e9g viti, en \u00ed Bandar\u00edkjunum er mi\u00f0a\u00f0 vi\u00f0 t\u00f6luna 200. Ef \u00fe\u00fa framlei\u00f0ir meira en 200 ertu farinn a\u00f0 b\u00faa til v\u00f6ru sem l\u00fdtur \u00f6\u00f0rum reglum \u2013 liti\u00f0 er svo \u00e1 a\u00f0 eintaki\u00f0 \u00fearfnist ekki lengur s\u00e9rstakrar verndar. * * * Okkur hryllir vi\u00f0 hugmyndinni um b\u00f3kabrennur, \u00fe\u00e6r eru t\u00e1kn um \u00e6gilegustu ritsko\u00f0un og k\u00fagun sem fyrirfinnst. Og sannarlega var s\u00fa sta\u00f0a eitt sinn uppi a\u00f0 \u00fe\u00e6r g\u00e1tu kosta\u00f0 mannkyn mikil g\u00e6\u00f0i. Vi\u00f0 gleymum ekki b\u00f3kasafnsbrunanum \u00ed Alexandr\u00edu svo glatt. Hins vegar eru t.d. b\u00f3kabrennur nasista og allar a\u00f0rar b\u00f3kabrennur eftir a\u00f0 fj\u00f6ldaframlei\u00f0sla b\u00f3ka h\u00f3fst l\u00edklega fyrst og fremst h\u00e1lf kj\u00e1nalegar \u2013 og \u00e1 stafr\u00e6nni \u00f6ld beinl\u00ednis sprenghl\u00e6gilegar. Ma\u00f0ur ey\u00f0ir nefnilega ekki b\u00f3k svo glatt. D\u00e6misaga. Fyrir m\u00f6rgum \u00e1rum s\u00ed\u00f0an bj\u00f3 \u00e9g me\u00f0 besta vini m\u00ednum \u00ed Berl\u00edn og hann \u00e1kva\u00f0 a\u00f0 lj\u00f3\u00f0ab\u00f3kin sem hann var a\u00f0 skrifa v\u00e6ri ekki n\u00f3gu g\u00f3\u00f0. \u00deetta var honum nokku\u00f0 \u00e1fall en hann \u00e1kva\u00f0 a\u00f0 byrja upp \u00e1 n\u00fdtt me\u00f0 hreint bor\u00f0. Hann eyddi \u00f6llum skj\u00f6lum af t\u00f6lvunni sinni, n\u00e1\u00f0i s\u00ed\u00f0an \u00ed \u00fatg\u00e1funa sem hann haf\u00f0i prenta\u00f0 \u00fat og brenndi hana s\u00ed\u00f0u fyrir s\u00ed\u00f0u \u00ed stofunni okkar, sem fylltist af reyk og vi\u00f0 vorum b\u00e1\u00f0ir h\u00f3standi og rau\u00f0eygir \u00e1\u00f0ur en yfir lauk \u2013 l\u00edklega megum vi\u00f0 \u00feakka fyrir a\u00f0 hafa ekki brennt ofan af okkur hverfi\u00f0. \u00deegar hann loki\u00f0 s\u00e9r af var\u00f0 \u00e9g a\u00f0 tilkynna honum a\u00f0 \u00e9g \u00e6tti l\u00edka eint\u00f6k af \u00feessum lj\u00f3\u00f0um. Ekki v\u00e6ri n\u00f3g me\u00f0 a\u00f0 \u00feau v\u00e6ru \u00ed t\u00f6lvunni minni \u00ed Berl\u00edn, heldur v\u00e6ri eintak af \u00feeim \u00ed t\u00f6lvu m\u00f3\u00f0ur minnar \u00e1 \u00cdsafir\u00f0i, \u00fatprent einhvers sta\u00f0ar \u00ed d\u00f3tinu m\u00ednu \u00fear, og geisladiskur sem hann haf\u00f0i sent m\u00e9r \u00fear sem hann haf\u00f0i lesi\u00f0 flest lj\u00f3\u00f0in inn \u2013 mp3 af \u00feeim upplestrum v\u00e6ri a\u00f0 finna \u00ed \u00fea\u00f0 minnsta \u00feremur t\u00f6lvum, kannski fleirum. \u00c9g g\u00e6ti ekki einu sinni me\u00f0 g\u00f3\u00f0u m\u00f3ti eytt \u00feeim, \u00fe\u00f3tt \u00e9g vildi. H\u00e9r \u00feyrfti engan Max Brod, \u00feetta s\u00e6i meira og minna um sig sj\u00e1lft. Og \u00fea\u00f0 \u00fearf ekki t\u00f6lvu\u00f6ld til. \u00cd Sov\u00e9tr\u00edkjunum var reynt a\u00f0 banna b\u00e6kur. \u00dea\u00f0 var reynt \u00ed K\u00edna. \u00dea\u00f0 hefur veri\u00f0 reynt \u00fati um allt \u2013 en fr\u00e1 \u00fev\u00ed a\u00f0 fj\u00f6ldaframlei\u00f0slan h\u00f3fst hefur \u00fea\u00f0 m\u00e9r vitanlega aldrei tekist nema a\u00f0 litlu leyti. Banna\u00f0ar b\u00e6kur f\u00e1 oft miklu meiri dreifingu en \u00fe\u00e6r sem eru leyf\u00f0ar. * * * \u00dar Der Riesenmaulwurf eftir Franz Kafka. Nema hva\u00f0. Eint\u00f6k, frumrit. \u00dea\u00f0 er h\u00e6gt a\u00f0 ey\u00f0ileggja frumrit \u2013 svona einsog \u00fea\u00f0 er h\u00e6gt a\u00f0 sv\u00ed\u00f0a lokkinn \u00far h\u00e1ri Schillers. B\u00f3kmenntaverk eru hins vegar ekki frumritin af sj\u00e1lfum s\u00e9r. \u00d6xar vi\u00f0 \u00e1na breytist ekkert \u00fe\u00f3tt vi\u00f0 syngjum upp \u00ed rassinn \u00e1 Stj\u00e1na. Stundum eru ger\u00f0ar breytingar \u00e1 b\u00f3kum \u00ed \u00fatg\u00e1fus\u00f6gu \u00feeirra \u2013 einsog t.d. \u00feegar \u00cdslendingas\u00f6gurnar eru gefnar \u00fat me\u00f0 n\u00fat\u00edmastafsetningu, e\u00f0a \u00feegar bibl\u00edan er endur\u00fe\u00fddd svo h\u00fan samr\u00e6mist betur r\u00edkjandi si\u00f0fer\u00f0i. Stundum er l\u00edka sp\u00f3la\u00f0 til baka \u00fev\u00ed breytingarnar \u00feykja svik vi\u00f0 frumverki\u00f0, s\u00e9rstaklega ef um er a\u00f0 r\u00e6\u00f0a n\u00fat\u00edmab\u00f3kmenntir og breytingarnar voru ger\u00f0ar \u00ed tr\u00e1ssi vi\u00f0 vilja (lifandi) h\u00f6fundar. Breytingar af \u00feessu tagi \u00feurrka hins vegar sjaldnast \u00fat frumverki\u00f0, koma ekki \u00ed sta\u00f0inn fyrir \u00fea\u00f0 \u2013 nema svo illa vilji til a\u00f0 frumverki\u00f0 hafi aldrei komi\u00f0 \u00fat nema \u00ed m\u00fdflugumynd og \u00f6ll eint\u00f6k af \u00fev\u00ed gufi upp e\u00f0a gleymist. \u00dea\u00f0 \u00e1 \u00ed sj\u00e1lfu s\u00e9r au\u00f0vita\u00f0 vi\u00f0 um m\u00f6rg verk. \u00c1 \u00feann h\u00e1tt \u201ehverfa\u201c flestar b\u00e6kur \u2013 ekki \u00e1 b\u00f3kabrennum heldur ofan \u00ed gleymskuhyl, svo minnir \u00e1 or\u00f0 Rays Bradburys, h\u00f6fundar Fahrenheit 451, um a\u00f0 \u00fea\u00f0 s\u00e9 verri gl\u00e6pur a\u00f0 lesa ekki b\u00e6kur en a\u00f0 brenna \u00fe\u00e6r. En \u00fea\u00f0 eru ekki \u00fe\u00e6r b\u00e6kur sem vi\u00f0 leggjum okkur fram um a\u00f0 vernda \u2013 vi\u00f0 erum eiginlega alveg s\u00e1tt vi\u00f0 a\u00f0 \u00fe\u00e6r hverfi bara, \u00fe\u00e1 er meira pl\u00e1ss fyrir n\u00fdtt efni \u2013 og vi\u00f0 sinnum \u00fev\u00ed skammarlega l\u00edti\u00f0 a\u00f0 hj\u00e1lpa lifandi rith\u00f6fundum a\u00f0 sleppa undan ritsko\u00f0un, \u00fear sem raunverulega h\u00e6ttan liggur. \u00dea\u00f0 er miklu au\u00f0veldara a\u00f0 koma \u00ed veg fyrir a\u00f0 tiltekin b\u00f3k s\u00e9 skrifu\u00f0 en a\u00f0 \u00fatr\u00fdma henni \u00feegar h\u00fan er komin \u00fat. * * * Mynd: Ingvar H\u00f6gni Ragnarsson. Fyrir nokkrum \u00e1rum fengu \u00fer\u00edr listamenn f\u00e9 fr\u00e1 \u00fatlenskri bar\u00f3nessu og keyptu mikla og st\u00f3ra b\u00f3k eftir Eggert P\u00e9tursson sem haf\u00f0i a\u00f0 geyma sk\u00fdringamyndir af fl\u00f3ru \u00cdslands \u2013 m\u00e1lverk sem m\u00f6rgum \u00feykja miklar gersemar. B\u00f3kin sem var n\u00fa k\u00f6llu\u00f0 upp \u00e1 lat\u00ednu Flora Islandica og seld r\u00edku f\u00f3lki og\/e\u00f0a forf\u00f6llnum og mj\u00f6g spars\u00f6mum a\u00f0d\u00e1endum \u2013 ver\u00f0i\u00f0 var \u00ed \u00f6llu falli ekkert fyrir verkal\u00fd\u00f0sst\u00e9ttina (anna\u00f0 en upprunalega handb\u00f3kin sem myndirnar voru ger\u00f0ar fyrir). Listamennirnir t\u00f3ku b\u00f3kina \u2013 eitt eintak af 500 sem voru gefin \u00fat \u2013 og sullu\u00f0u \u00ed hana matarleifum, \u00ed anda sey\u00f0firska listamannsins Dieters Roth sem vann miki\u00f0 me\u00f0 b\u00e6\u00f0i b\u00f3kverk og rotnandi matv\u00e6li. \u00deetta verk, sem listamennirnir k\u00f6llu\u00f0u Fallegustu b\u00f3k \u00ed heimi, s\u00fdndu \u00feeir \u00e1 s\u00fdningunni Koddu. Allt var\u00f0 brj\u00e1la\u00f0 \u2013 N\u00fdl\u00f3 fjarl\u00e6g\u00f0i verki\u00f0, \u00fea\u00f0 var sett upp aftur annars sta\u00f0ar og bla bla bla. \u00deessari narrat\u00edfu er h\u00e6gt a\u00f0 g\u00fagla ef ma\u00f0ur hefur b\u00fai\u00f0 \u00ed helli s\u00ed\u00f0ustu \u00e1rin. \u00deegar \u00e9g gaf \u00fat lj\u00f3\u00f0ab\u00e1lkinn S\u00fabl\u00edmatvatn \u00e1ri\u00f0 2007 \u2013 sem er r\u00edmix \u00e1 T\u00edmanum og vatninu eftir Stein Steinarr, miki\u00f0 til \u00fat fr\u00e1 a\u00f0fer\u00f0um Oulipista \u2013 gruna\u00f0i mig ekki a\u00f0 hann hef\u00f0i fari\u00f0 \u00ed taugarnar \u00e1 neinum. \u00dea\u00f0 var sannarlega heldur ekki \u00e6tlunin \u2013 \u00fea\u00f0 hvarfla\u00f0i ekki einu sinni a\u00f0 m\u00e9r a\u00f0 \u00fea\u00f0 v\u00e6ri h\u00e6gt a\u00f0 pirra f\u00f3lk me\u00f0 \u00feessu, og kom ekki \u00e1 daginn fyrren m\u00f6rgum \u00e1rum s\u00ed\u00f0ar a\u00f0 nokkrum hef\u00f0i s\u00e1rna\u00f0. \u00de\u00e1 var \u00e9g me\u00f0 stuttu millibili b\u00e6\u00f0i konfrontera\u00f0ur fyrir a\u00f0 hafa unni\u00f0 \u00feessi \u201ehelgispj\u00f6ll\u201c og f\u00e9kk ve\u00f0ur af almennari hneykslun \u00ed gegnum \u00feri\u00f0ja a\u00f0ila (h\u00fan hefur samt varla veri\u00f0 mj\u00f6g almenn, \u00fe\u00e1 hef\u00f0i \u00e9g n\u00fa or\u00f0i\u00f0 var vi\u00f0 hana \u00e1 s\u00ednum t\u00edma \u2013 og \u00feetta er \u00fer\u00e1tt fyrir allt \u00far lj\u00f3\u00f0ab\u00f3k, sem seldist reyndar \u00e1g\u00e6tlega en ekkert \u00ed l\u00edkingu vi\u00f0 neinar sk\u00e1lds\u00f6gur, Ich habe nie ein Schiller gewesen). * * * En hva\u00f0 \u00fe\u00e1 \u2013 hva\u00f0an kemur rei\u00f0in? F\u00f3lk tengist stundum listaverki dj\u00fapum pers\u00f3nulegum b\u00f6ndum og \u00fear me\u00f0 h\u00e6ttir verki\u00f0 a\u00f0 vera jar\u00f0neskt fyrir \u00feeim og ver\u00f0ur \u00feess \u00ed sta\u00f0 heilagur gripur. F\u00f3lki finnst \u00fea\u00f0 hafa komist \u00ed t\u00e6ri vi\u00f0 gu\u00f0d\u00f3minn \u2013 finnst listaverki\u00f0 beinl\u00ednis fullkomi\u00f0 og a\u00f0 allar \u201ebreytingar\u201c \u00e1 \u00fev\u00ed s\u00e9u eins konar \u00e1r\u00e1s, kannski \u00e1 \u00fea\u00f0 sj\u00e1lft, tilfinningar \u00feeirra, kannski \u00e1 listina sem sl\u00edka, kannski \u00e1 gu\u00f0d\u00f3minn og fullkomleikann. Eitthva\u00f0 sem var hreint og fagurt er ekki hreint og fagurt lengur \u2013 svona einsog ma\u00f0ur s\u00e9 neyddur til a\u00f0 hlusta \u00e1 einhvern spila Led Zeppelin falskt og illa og klappa fyrir \u00fev\u00ed \u00e1 eftir. E\u00f0a einhver helli meinlausum matarlit \u00ed Strokk. Hinar raunverulegu aflei\u00f0ingar skipta \u00fe\u00e1 engu m\u00e1li \u2013 ska\u00f0inn ske\u00f0ur \u00ed hugarheimum e\u00f0a hjartanu. \u00dev\u00ed au\u00f0vita\u00f0 stendur b\u00e1lkurinn T\u00edminn og vatni\u00f0 \u00f3snertur eftir S\u00fablimatvatn \u2013 r\u00e9tt einsog m\u00e1lverk Eggerts P\u00e9turssonar af fl\u00f3ru \u00cdslands eru \u00f3snert eftir Fallegustu b\u00f3k \u00ed heimi. Meira a\u00f0 segja Stairway to Heaven er enn til \u2013 og hefur \u00fe\u00f3 engu listaverki veri\u00f0 eins \u00e6gilega mis\u00feyrmt \u00ed gegnum t\u00ed\u00f0ina. Flora Islandica er til \u00ed 499 eint\u00f6kum og einhvers sta\u00f0ar eru meira a\u00f0 segja til af m\u00e1lverkunum frumritin og afrit \u00ed Fl\u00f3ru \u00cdslands, sem er til \u00e1 \u00f6\u00f0ru hverju heimili \u00ed landinu. Flora Islandica lifir \u00feetta allt af. * * *
\n Wilson Bentley h\u00e9t ma\u00f0ur f\u00e6ddur 1865 sem var\u00f0 fr\u00e6gur fyrir a\u00f0 vera fyrstur til a\u00f0 n\u00e1 almennilegum lj\u00f3smyndum af snj\u00f3kornum. Hann ber \u00e1byrg\u00f0 \u00e1 \u00feeirri mynd sem vi\u00f0 h\u00f6fum \u00ed h\u00f6f\u00f0inu af \u00fatliti snj\u00f3korna \u2013 sem symmetr\u00edskum undrum. Nokkrar mynda hans m\u00e1 sj\u00e1 h\u00e9r a\u00f0 ofan. Einhverjum \u00e1rum eftir a\u00f0 hann var\u00f0 fr\u00e6gur fyrir myndir s\u00ednar kom annar ma\u00f0ur \u00e1 sj\u00f3narsvi\u00f0i\u00f0, Gustav Hellmann. Hann reyndi hva\u00f0 hann gat a\u00f0 n\u00e1 svipu\u00f0um myndum og Bentley en t\u00f3kst aldrei \u2013 snj\u00f3kornin hans voru alltaf brotin og aflaga, aldrei fullkomin. Hann konfrontera\u00f0i Bentley me\u00f0 \u00feetta og komst a\u00f0 \u00fev\u00ed a\u00f0 Bentley haf\u00f0i ekki bara manip\u00falera\u00f0 myndirnar sem hann t\u00f3k heldur l\u00edka sj\u00e1lf snj\u00f3kornin \u2013 laga\u00f0 \u00feau til, pota\u00f0 \u00ed \u00feau me\u00f0 verkf\u00e6rum. Fullkomin snj\u00f3korn eru afar sjalds\u00e9\u00f0. Bentley leit hins vegar \u00e1 sig sem nat\u00faralista og svara\u00f0i \u00feannig fyrir sig a\u00f0 fullkomnunin v\u00e6ri hin eina r\u00e9tta mynd snj\u00f3kornanna, brotin og afl\u00f6gunin v\u00e6ru afbrig\u00f0ileg, og n\u00e6r \u00f6ll snj\u00f3korn v\u00e6ru \u00feannig undantekning fr\u00e1 reglunni (sem v\u00e6ri fegur\u00f0in). \u00de\u00f3tt v\u00edsindin hafi \u00e1 endanum teki\u00f0 undir me\u00f0 Hellmann \u2013 \u00fev\u00ed einsog annars sta\u00f0ar \u00ed l\u00edfinu er \u00fea\u00f0 hi\u00f0 afbrig\u00f0ilega sem er satt, merg\u00f0in, en ekki plat\u00f3nska frummyndin, l\u00edfi\u00f0 er sk\u00edtugt og mari\u00f0 \u2013 \u00fe\u00e1 m\u00e1 segja a\u00f0 Bentley hafi unni\u00f0 fagurfr\u00e6\u00f0ilega slaginn. Snj\u00f3korn eru fullkomin \u2013 t\u00e1kn fyrir margbreytileika hins fullkomna, symmetr\u00edsk og skamm\u00e6r, en alltaf heil, aldrei brotin. * * * Og Schiller. H\u00e1ri\u00f0 af Schiller. Friedrich. Dau\u00f0agr\u00edma Nietzsches.
\n R\u00e9ttarh\u00f6ldin eru aldrei gefin \u00fat einsog Kafka gekk fr\u00e1 \u00feeim. Hann gekk n\u00e1tt\u00farulega heldur ekki fr\u00e1 \u00feeim \u2013 ekki til \u00fatg\u00e1fu, bara gekk \u00ed burtu fr\u00e1 \u00feeim. Og \u00fea\u00f0 var brot \u00e1 s\u00e6mdarr\u00e9tti hans a\u00f0 gefa verk hans \u00fat. Hann vildi \u00feetta aldrei. Gott fyrir mig en gl\u00e6pur gegn Franz. En Schiller. Friedrich. H\u00e1ri\u00f0 af Schiller. Sem ger\u00f0i einhvern t\u00edma einhverja stelpu vitlausa af \u00fer\u00e1. Ger\u00f0i \u00f3tal stelpur vitlausar af \u00fer\u00e1. Lokkurinn var t\u00e1kn um eitthva\u00f0 \u2013 a\u00f0 h\u00fan v\u00e6ri s\u00e9rst\u00f6k. En hva\u00f0 ef h\u00fan var ekki s\u00e9rst\u00f6k, hva\u00f0 ef \u00f6nnur hver fj\u00f3sakelling \u00ed \u00de\u00fdskalandi f\u00e9kk l\u00edka lokk. Hva\u00f0 ef h\u00e1ri\u00f0 af Schiller var sj\u00e1lft ekkert s\u00e9rstakt?<\/p>\n","protected":false},"excerpt":{"rendered":"
Fyrir \u00feremur \u00e1rum s\u00ed\u00f0an kom \u00e9g \u00e1samt h\u00f3pi norr\u00e6nna h\u00f6funda til sm\u00e1b\u00e6jarins Marbach \u00ed \u00de\u00fdskalandi, sem er me\u00f0al annars fr\u00e6gur fyrir a\u00f0 vera f\u00e6\u00f0ingarsta\u00f0ur lj\u00f3\u00f0sk\u00e1ldsins Friedrichs Schiller. \u00dear \u00ed grenndinni er a\u00f0 finna miki\u00f0 safn um Schiller sem og \u00fe\u00fdsku b\u00f3kmenntaark\u00edfurnar og safn sem \u00feeim fylgir \u2013 Safn n\u00fat\u00edmab\u00f3kmennta \u2013 \u00fear sem m\u00e1 sko\u00f0a frumritin … Halda \u00e1fram a\u00f0 lesa: Lokkur \u00far h\u00e1ri Schillers<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5310","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5310"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5310\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}