{"id":5641,"date":"2025-02-06T13:53:51","date_gmt":"2025-02-06T13:53:51","guid":{"rendered":"http:\/\/norddahl.org\/fjallabaksleidin\/?p=5641"},"modified":"2025-02-06T13:53:51","modified_gmt":"2025-02-06T13:53:51","slug":"id39vt5","status":"publish","type":"post","link":"https:\/\/norddahl.org\/fjallabaksleidin\/?p=5641","title":{"rendered":"id&#8220;&#8220;:&#8220;&#8220;39vt5&#8243;&#8220;"},"content":{"rendered":"<p>F\u00e1t\u00e6kt \u00e1 \u00feri\u00f0ja og fj\u00f3r\u00f0a \u00e1ratugnum. Seinni heimsstyrj\u00f6ldin. V\u00edetnam. Katrina. Bl\u00fasinn er kannski alltaf \u00ed grunninn p\u00f3lit\u00edsk t\u00f3nlist, einsog Angela Davis hefur vilja\u00f0 meina \u2013 t\u00f3nlist frelsunar og f\u00e9lagslegrar p\u00f3lit\u00edkur hins pers\u00f3nulega \u2013 en hann einbl\u00ednir samt fyrst og fremst \u00e1 reynslu einstaklingsins og er sjaldan narrat\u00edfur og hentar \u00fev\u00ed illa \u00ed d\u00e6mis\u00f6gur e\u00f0a brei\u00f0ar samf\u00e9lagsl\u00fdsingar e\u00f0a m\u00f3tm\u00e6las\u00f6ng. Bl\u00fasinn fjallar ekki um \u00fea\u00f0 \u00feegar allir v\u00f6knu\u00f0u kvenmannslausir \u00ed kulda og trekki, hann fjallar um \u00fea\u00f0 \u00feegar \u00c9G vakna\u00f0i kvenmannslaus \u00ed kulda og trekki. En \u00fea\u00f0 eru samt t\u00edmabil h\u00e9r og \u00fear og einstakir listamenn sem voru og eru p\u00f3lit\u00edskir. Einsog stundum fyrir \u00feessar f\u00e6rslur ger\u00f0i \u00e9g langan spilunarlista me\u00f0 helstu \u201ep\u00f3lit\u00edsku bl\u00fasunum\u201c og s\u00ed\u00f0an ra\u00f0a\u00f0i \u00e9g l\u00f6gunum eftir \u00e1rtali til \u00feess a\u00f0 f\u00e1 einhvers konar yfirs\u00fdn yfir \u00fer\u00f3unina. \u00dea\u00f0 sem blasti vi\u00f0 voru fj\u00f3rar kveikjur \u2013 kreppan, str\u00ed\u00f0i\u00f0, V\u00edetnam og Katrina. Au\u00f0vita\u00f0 v\u00e6ri h\u00e6gt a\u00f0 gera lista me\u00f0 einu lagi fr\u00e1 hverju \u00e1ri ef ma\u00f0ur vildi sko\u00f0a \u00fer\u00f3un p\u00f3lit\u00edska bl\u00fassins sem sl\u00edks en \u00fe\u00e1 myndi ma\u00f0ur missa af l\u00e6g\u00f0unum, svo a\u00f0 segja. \u00dea\u00f0 er l\u00edka \u00e1hugavert a\u00f0 f\u00e1t\u00e6ktarl\u00f6gin \u00e1 fyrsta t\u00edmabilinu byrja \u00e1\u00f0ur en kreppan skellur \u00e1. Nobody Knows You When You\u2019re Down and Out\u00a0er au\u00f0vita\u00f0 \u00feekkt og fjallar um fallvaltleika r\u00edkid\u00e6misins \u2013 ekki beinl\u00ednis neitt kommalag, \u00fe\u00f3tt \u00fea\u00f0 s\u00e9 fr\u00e1b\u00e6rt \u2013 og kemur \u00fat r\u00e9tt fyrir hruni\u00f0 1929. En heilu \u00e1ri fyrr gefur Bessie \u00fat Poor Man\u2019s Blues \u00fear sem f\u00e1t\u00e6ka konan sn\u00fdr s\u00e9r a\u00f0 r\u00edka manninum og \u00e1kallar hann: While you livin\u2019 in your mansion<br \/>\n You don\u2019t know what hard time means<br \/>\n While you livin\u2019 in your mansion<br \/>\n You don\u2019t know what hard time means<br \/>\n Oh, workin\u2019 man\u2019s wife is starvin\u2019<br \/>\n Your wife is livin\u2019 like a queen<br \/>\n Sem er n\u00e1tt\u00farulega \u00e1minning um a\u00f0 \u00fer\u00e1tt fyrir allt grobbi\u00f0 og glitsi\u00f0 \u00ed kringum bl\u00fasinn \u00e1 hinum hv\u00ednandi \u00feri\u00f0ja \u00e1ratug fyrir kreppu var l\u00edtill j\u00f6fnu\u00f0ur me\u00f0al manna og bara f\u00e1menn kl\u00edka sem Jay Gatsby l\u00edfsst\u00edlnum. R\u00edkid\u00e6mi\u00f0 \u00ed kringum \u00fe\u00e6r t\u00fdpur er \u00ed sj\u00e1lfu s\u00e9r stundum lofsungi\u00f0, en \u00fea\u00f0 undirstrikar l\u00edka \u00f3r\u00e9ttl\u00e6ti\u00f0 a\u00f0 \u00feeir sem flj\u00f3ta upp \u00far f\u00e1t\u00e6ktinni inn \u00ed millist\u00e9ttir, efri-millist\u00e9ttir og h\u00e1st\u00e9ttir er allt hv\u00edtt f\u00f3lk. \u00de\u00e1 undirstrikar r\u00edkid\u00e6mi\u00f0 l\u00edka bara hi\u00f0 almenna \u00f3r\u00e9ttl\u00e6ti kap\u00edtalismans, a\u00f0 sumir eigi fullt og a\u00f0rir f\u00e1tt. S\u00f6ngkonur einsog Bessie vir\u00f0ast l\u00edka hafa lagt sig eftir \u00fev\u00ed a\u00f0 syngja p\u00f3lit\u00edsk l\u00f6g allan \u00feri\u00f0ja \u00e1ratuginn \u2013 \u00ed bl\u00e1byrjun ferils s\u00edns, 1923, syngur h\u00fan til d\u00e6mis hi\u00f0 femin\u00edska Sam Jones Blues. \u00deegar \u00f3d\u00e1murinn sem hefur fari\u00f0 illa me\u00f0 hana birtist vi\u00f0 dyrnar syngur h\u00fan: I used to be your lawful mate<br \/>\n But the judge done changed my fate<br \/>\n Was a time you could-a\u2019 walked right in<br \/>\n And call this place your home sweet home<br \/>\n But now it\u2019s all mine, for all time<br \/>\n I\u2019m free and livin\u2019 all alone<br \/>\n Don\u2019t need your clothes, don\u2019t need your rent<br \/>\n Don\u2019t need your ones and twos<br \/>\n Though I ain\u2019t rich, I know my stitch<br \/>\n I earned my strutting shoes<br \/>\n Say, hand me the key that unlocks my front door<br \/>\n Because that bell don\u2019t read Sam Jones no more, no<br \/>\n You ain\u2019t talkin\u2019 to Mrs. Jones<br \/>\n You speakin\u2019 to Miss Wilson now   \u00dea\u00f0 eru ekki endilega fleiri\u00a0\u00f6rbirg\u00f0arbl\u00fasar eftir kreppu en fyrir \u2013 g\u00edtarbl\u00fasararnir sem t\u00f3ku vi\u00f0 af hinum fj\u00f6lmennu og glitrandi vaudeville-sveitum voru vissulega f\u00e1t\u00e6kir og lif\u00f0u \u00ed kulda og trekki en \u00feeir lifa l\u00edka til hli\u00f0ar vi\u00f0 hi\u00f0 brei\u00f0a samf\u00e9lag manna og litu ekki \u00e1 sig sem m\u00e1lsvara eins e\u00f0a neins, nema \u00ed besta falli dansg\u00f3lfsins og l\u00edfsnautnanna (sem voru a\u00f0allega landi og konur). En \u00feeir voru samt nokkrir og \u00fear \u00e1 me\u00f0al s\u00e1 allra fallegasti bl\u00fas sem \u00e9g hef nokkurn t\u00edma heyrt og \u00e9g hef l\u00edklega deilt h\u00e9r tvisvar n\u00fa \u00feegar me\u00f0 h\u00f6fundinum, Skip James, og kominn t\u00edmi til a\u00f0 f\u00e1 kover. \u00deetta er Buddy Guy \u00e1 pl\u00f6tu fr\u00e1 2004.   \u00de\u00e1 er ekki s\u00ed\u00f0ur \u00e1hugavert a\u00f0 \u00fe\u00f3tt kveikjurnar s\u00e9u \u00fearna \u00e1 tilteknum t\u00edmabilum \u00fe\u00e1 er ekki \u00fear me\u00f0 sagt a\u00f0 \u00f6ll l\u00f6gin s\u00e9u bara alltaf um V\u00edetnam og kreppuna og str\u00ed\u00f0i\u00f0 og Katr\u00ednu \u2013 heldur er meira einsog \u00fej\u00f3\u00f0f\u00e9lagsstemningin kalli \u00e1 tiltekna afst\u00f6\u00f0u til l\u00edfsins, a\u00f0 anna\u00f0 \u00f3r\u00e9ttl\u00e6ti ver\u00f0i l\u00edka lj\u00f3sara. Big Bill Broonzy semur t.d. When Will I Be Called a Man \u00e1ri\u00f0 1928 (en \u00fea\u00f0 kemur ekki \u00fat \u00ed hans \u00fatg\u00e1fu fyrren 55), sem fjallar um kyn\u00fe\u00e1ttahatur, og Billie Holiday gefur \u00fat Strange Fruit\u00a0\u00e1ri\u00f0 1939 (me\u00f0 talsver\u00f0um erfi\u00f0ismunum eftir a\u00f0 Colombia hafnar \u00fev\u00ed), sem fjallar um aft\u00f6kur \u00e1 sv\u00f6rtum m\u00f6nnum. \u00c1 \u00e1runum \u00ed kringum str\u00ed\u00f0i\u00f0 syngur Lead Belly Bourgeois Blues, Take This Hammer\u00a0og Jim Crow Blues \u2013 ekkert \u00feeirra fjallar um str\u00ed\u00f0i\u00f0 en svo \u00e1 hann au\u00f0vita\u00f0 l\u00edka Mr. Hitler.\u00a0 <\/p>\n<p> En Lead Belly var gjarnan p\u00f3lit\u00edskur og \u00fea\u00f0 voru t.d. Josh White og J.B. Lenoir l\u00edka, alveg sama hven\u00e6r ma\u00f0ur kom a\u00f0 \u00feeim. Josh White er sennilega einn af fyrstu alv\u00f6ru d\u00e6gurlagas\u00f6ngvurum vesturlanda sem gerir hreinlega \u00fat \u00e1 a\u00f0 vera p\u00f3lit\u00edskur s\u00f6ngvari. Josh var prestssonur og komm\u00fanisti fr\u00e1 su\u00f0rinu sem n\u00e1\u00f0i gr\u00ed\u00f0armiklum vins\u00e6ldum \u00ed Bandar\u00edkjunum og komst meira a\u00f0 segja \u00ed gott vinfengi vi\u00f0 Roosevelthj\u00f3nin \u00e1 str\u00ed\u00f0s\u00e1runum \u2013 \u00feau voru gu\u00f0foreldrar sonar hans og nafna. S\u00ed\u00f0ar syrti \u00ed \u00e1linn \u00feegar McCarthyisminn h\u00f3f innrei\u00f0 s\u00edna \u00ed bandar\u00edskt samf\u00e9lag og hann dregur sig miki\u00f0 \u00ed hl\u00e9. Hann afneita\u00f0i komm\u00fanismanum vi\u00f0 nefndina, sag\u00f0ist hafa veri\u00f0 leiddur \u00e1 villig\u00f6tur, en neita\u00f0i a\u00f0 gefa upp n\u00f6fn f\u00e9laga sinna \u2013 sem var helsti gjaldmi\u00f0illinn ef ma\u00f0ur vildi f\u00e1 a\u00f0 lifa og starfa \u00e1fram \u00f3\u00e1reittur (\u00ed umr\u00e6\u00f0u um svartlistun og \u201eafl\u00fdsingu\u201c er gjarnan l\u00e1ti\u00f0 einsog \u00fea\u00f0 s\u00e9 ekki ritsko\u00f0un nema ma\u00f0ur hafi helst papp\u00edr upp \u00e1 a\u00f0 ma\u00f0ur hafi veri\u00f0 svartlista\u00f0ur \u2013 e\u00f0a a\u00f0 \u00fea\u00f0 eigi enginn fr\u00e6g\u00f0 s\u00edna heldur s\u00e9 h\u00fan forr\u00e9ttindi sem h\u00e6gt s\u00e9 a\u00f0 innkalla ef ma\u00f0ur reynist ekki \u00ed h\u00fasum h\u00e6fur \u2013 b\u00e6\u00f0i er a\u00f0 einhverju leyti satt og helbert kjaft\u00e6\u00f0i, en fyrst og fremst er \u00feetta allt gr\u00e1tt sv\u00e6\u00f0i). \u00cd \u00f6llu falli hraktist White \u00far landi til Englands og var \u00fear fram til 1955 \u2013 en sama \u00e1r kom \u00feetta lag:<br \/>\n Free and Equal Blues er sami\u00f0 l\u00f6ngu fyrr og byggir \u00e1 hinu fr\u00e6ga St. James Infirmary, sem enginn veit hver samdi, en Josh haf\u00f0i sj\u00e1lfur \u00e1tt st\u00f3ran smell me\u00f0 \u00e1ri\u00f0 1944. En textinn er \u00f3l\u00edkt p\u00f3lit\u00edskari \u2013\u00a0\u00ed sta\u00f0 \u00feess a\u00f0 fjalla um mann sem finnur elskuna s\u00edna l\u00e1tna \u00e1 sp\u00edtala er \u00fea\u00f0 um mann sem fer \u00e1 sp\u00edtala og spyr l\u00e6kni hvort bl\u00f3\u00f0plasmi sem hann rekur augun \u00ed s\u00e9 \u00far sv\u00f6rtum manni e\u00f0a hv\u00edtum og l\u00e6knirinn fer a\u00f0 \u00fatsk\u00fdra a\u00f0 \u00e1 sl\u00edku s\u00e9 ekki nokkur munur. Forsendan er einf\u00f6ld og bo\u00f0skapurinn didakt\u00edskur \u2013\u00a0fyrsta erindi\u00f0 kannski banalt \u2013\u00a0en svo tekur White \u00e1 flug og textinn ver\u00f0ur miklu brj\u00e1la\u00f0ri (og n\u00e1nast rappa\u00f0ri) en \u00ed orginalnum:  So I stayed at that St. James Infirmary.<br \/>\n (I couldn\u201dt leave that place, it was too interesting)<br \/>\n But I said to the doctor, \u201dGive me some more of that scientific talk talk,\u201d and he did:<br \/>\n He said, \u201dMelt yourself down into a crucible<br \/>\n Pour yourself out into a test tube and what have you got?<br \/>\n Thirty-five hundred cubic feet of gas,<br \/>\n The same for the upper and lower class.\u201d<br \/>\n Well, I let that pass . . .<br \/>\n \u201dCarbon, 22 pounds, 10 ounces\u201d<br \/>\n \u201dYou mean that goes for princes, dukeses and countses?\u201d<br \/>\n \u201dWhatever you are, that\u201ds what the amounts is:<br \/>\n Carbon, 22 pounds, 10 ounces; iron, 57 grains.\u201d<br \/>\n Not enough to keep a man in chains.<br \/>\n \u201d50 ounces of phosophorus, that\u201ds whether you\u201dre poor or prosperous.\u201d<br \/>\n \u201dSay buddy, can you spare a match?\u201d<br \/>\n \u201dSugar, 60 ordinary lumps, free and equal rations for all nations.<br \/>\n Then you take 20 teaspoons of sodium chloride (that\u201ds salt), and you add 38<br \/>\n quarts of H2O (that\u201ds water), mix two ounces of lime, a pinch of chloride of<br \/>\n potash, a drop of magnesium, a bit of sulfur, and a soup\u05b1on of hydrochloric<br \/>\n acid, and you stir it all up, and what are you?\u201d<br \/>\n \u201dYou\u201dre a walking drugstore.\u201d<br \/>\n \u201dIt\u201ds an international, metabolistic cartel.\u201d<br \/>\n And that was news, yes that was news, \u00deetta sama \u00e1r, 1955, birtist svo Muddy Waters og svara\u00f0i spurningunni sem Big Bill haf\u00f0i spurt \u00e1 t\u00f3nleikum 1928 (en ekki gefi\u00f0 \u00fat fyrren einmitt \u00feetta sama \u00e1r l\u00edka), hven\u00e6r hann yr\u00f0i kalla\u00f0ur ma\u00f0ur, me\u00f0 laginu Mannish Boy. Einsog \u00e9g hef nefnt kemur \u00f3\u00feolinm\u00e6\u00f0in me\u00f0 rafmagnsbl\u00fasnum \u2013 og skal engan undra. \u00datlegging Muddys var enda s\u00fa a\u00f0 hann skildi kalla\u00f0ur ma\u00f0ur strax, umyr\u00f0alaust, og ekkert kjaft\u00e6\u00f0i. Af \u00fev\u00ed \u00e9g er b\u00fainn a\u00f0 spila \u00fea\u00f0 h\u00e9rna \u00e1\u00f0ur (og allir \u00feekkja \u00fea\u00f0) l\u00e6t \u00e9g n\u00e6gja a\u00f0 spila st\u00f3rg\u00f3\u00f0a og afar \u00f3l\u00edka \u00fatg\u00e1fu Jimis Hendrix fr\u00e1 1967. Hippa\u00e1rin eru gj\u00f6ful \u00feegar kemur a\u00f0 p\u00f3lit\u00edskum bl\u00fasum. \u00dea\u00f0 syngja n\u00e6stum allir eitthva\u00f0 um V\u00edetnamstr\u00ed\u00f0i\u00f0 \u2013 JB Lenoir er me\u00f0 Vietnam Blues\u00a0(1965), John Lee Hooker me\u00f0 I Don\u2019t Wanna Go To Vietnam\u00a0(1968), Champion Jack Dupree me\u00f0 Vietnam Blues\u00a0(1971), Lightnin\u2019 Hopkins me\u00f0 Vietnam Wars Pt. 1 &#038; 2\u00a0 (1968) og hi\u00f0 fr\u00e1b\u00e6ra\u00a0Please Settle in Vietnam \u00e1ri s\u00ed\u00f0ar. \u00dear harmar Lightning sannarlega str\u00ed\u00f0i\u00f0 en s\u00e9r l\u00edka \u00e1kve\u00f0nar j\u00e1kv\u00e6\u00f0ar hli\u00f0ar \u00e1 \u00fev\u00ed, me\u00f0 s\u00ednu eigin s\u00e9rst\u00e6\u00f0a Poll\u00fd\u00f6nnunefi: My girlfriend got a boyfriend fighting<br \/>\n She don\u2019t know when that man coming back home<br \/>\n I said I hope he\u2019ll stay forever<br \/>\n Cuz I ain\u2019t gonna leave that girl alone Og svo framvegis og svo framvegis; en \u00fea\u00f0 eru l\u00edka l\u00f6g um annan harm og \u00f3r\u00e9ttl\u00e6ti \u2013 Nine Simone er me\u00f0 nokkur geggju\u00f0, t.d. Four Women (um \u00f6rl\u00f6g fj\u00f6gurra kvenna) og Backlash Blues (um allra handa \u00f3r\u00e9ttl\u00e6ti, m.a. V\u00edetnam), Mimi og Richard Farina eru me\u00f0 Mainline Prosperity Blues (\u201eWell, companion, you\u2019ll forgive me \/ if I seem unwilling to succeed\u201c). Upp \u00far 1970 er svo a\u00f0 koma \u00fereyta \u00ed mannskapinn og \u00e1ri\u00f0 1972 koma Little Feat me\u00f0 lagi\u00f0 A Apolitical Blues\u00a0\u2013 sem Van Halen koveru\u00f0u \u00e1 pl\u00f6tunni OU812 (sem er einmitt fyrsta platan sem \u00e9g \u00e1tti \u00e1 geisladisk og \u00e9g f\u00e9kk a\u00f0 gj\u00f6f fr\u00e1 m\u00f3\u00f0urbr\u00f3\u00f0ur m\u00ednum, Tryggva H\u00fcbner, sem er hei\u00f0ursf\u00e9lagi \u00ed Bl\u00fasf\u00e9lagi \u00cdslands og einhver allra besti g\u00edtarleikari landsins). Lagi\u00f0 er einsog l\u00e9tt \u00fatlegging \u00e1 forhipp\u00edskum smelli B\u00edtlanna, Revolution, \u00fear sem Ma\u00f3 forma\u00f0ur hringir \u00ed lj\u00f3\u00f0m\u00e6landa en lj\u00f3\u00f0m\u00e6landi bara nennir ekki a\u00f0 tala vi\u00f0 hann \u00ed dag. \u00deetta ku versti bl\u00fas allra bl\u00fasa (\u201ethat\u2019s the meanest blues of all\u201c) \u2013 a\u00f0 vakna ekki bara kvenmannslaus heldur \u00fereyttur \u00e1 samf\u00e9lagsm\u00e1lunum, algerlega \u00f3p\u00f3lit\u00edskur, hugsanlega bara samviskulaus. \u00cd \u00fatg\u00e1fu Little Feat upplifir ma\u00f0ur \u00feetta sem \u00ed senn gr\u00edn og alv\u00f6ru \u2013 \u00fea\u00f0 er eitthva\u00f0 l\u00e9tt og skiljanlegt \u00ed \u00fev\u00ed \u2013 en Van Halen \u00fatg\u00e1fan er einhvern veginn kaldari. Einsog Little Feat viti betur en a\u00f0 halda a\u00f0 ma\u00f0ur \u00feurfi a\u00f0 nenna Ma\u00f3 (e\u00f0a Ma\u00f3istum) til a\u00f0 vera p\u00f3lit\u00edskur \u2013 \u00e1 me\u00f0an Van Halen vilji bara skreyta sig me\u00f0 \u00fev\u00ed a\u00f0 vera sama.<br \/>\n St\u00f3ru auglj\u00f3su l\u00e6g\u00f0irnar \u00ed p\u00f3lit\u00edskum bl\u00fasum s\u00fdnast m\u00e9r vera um mi\u00f0jan fj\u00f3r\u00f0a \u00e1ratuginn og fr\u00e1 str\u00ed\u00f0slokum og fram til 1960 \u2013 me\u00f0 \u00feeim undantekningum \u00fe\u00f3 a\u00f0 \u00e1 \u00feeim t\u00edma er JB Lenoir \u00e1 fullu, Muddy gefur \u00fat Mannish Boy og Floyd Jones kemur me\u00f0 verkal\u00fd\u00f0sbl\u00fasinn Stockyard Blues: Fr\u00e1 \u00fev\u00ed um 1970 og hreinlega fram a\u00f0 fellibylnum Katr\u00ednu 2005 er f\u00e1tt um f\u00edna dr\u00e6tti. Au\u00f0vita\u00f0 eru l\u00f6g \u2013 \u00fea\u00f0 eru alltaf l\u00f6g og yfirleitt g\u00f3\u00f0 l\u00f6g \u2013 en p\u00f3lit\u00edskur bl\u00fas er hvorki \u00ed t\u00edsku n\u00e9 n\u00e6r hann m\u00e1li a\u00f0 r\u00e1\u00f0i. Stevie Ray koverar b\u00edtlalagi\u00f0 Taxman (me\u00f0 svol\u00edti\u00f0 har\u00f0ari beiskju),\u00a0Louisiana Red semur Reagan is for the Rich Man, Sunnyland Slim tekur upp Be Careful How You Vote, Odetta koverar Jim Crow Blues\u00a0eftir Lead Belly og RL Burnside \u00e1 kombakk \u00e1 bakinu \u00e1 Jon Spencer\u2019s Blues Explosion og gefur \u00fat hi\u00f0 \u00e6\u00e6\u00e6\u00e6\u00e6\u00e6\u00e6\u00e6\u00e6\u00f0islega og fullkomlega s\u00farreal\u00edska Tojo told Hitler. <\/p>\n<p> Svo kemur 9\/11 og fj\u00f3rum \u00e1rum s\u00ed\u00f0ar fellibylurinn og \u00fe\u00e1 ver\u00f0ur sprenging. Otis Taylor kemur me\u00f0 Rosa, Rosa\u00a0(2002) og Ten Million Slaves\u00a0(2003), Guitar Shorty er me\u00f0 We, The People (2006), Norman og Nancy Blake eru me\u00f0 Don\u2019t Be Afraid of Neo-Cons\u00a0(2006), Charlie Musselwhite me\u00f0 Black Water (2006), Watermelon Slim er me\u00f0 samnefnt lag \u00e1ri s\u00ed\u00f0ar, BB King koverar Backwater Blues eftir Bessie Smith (sem fjallar um fl\u00f3\u00f0in \u00ed Mississippi 1927, sem var algengt \u00feema \u00ed bl\u00fasl\u00f6gum \u00fe\u00e1 \u2013 m\u00e1 l\u00edka nefna When the Levee Breaks eftir Memphis Minnie, sem Led Zeppelin ger\u00f0u a\u00f0 s\u00ednu \u2013 en v\u00edsar au\u00f0vita\u00f0 \u00ed Katr\u00ednu og New Orleans \u00feegar BB tekur \u00fea\u00f0), Derek Trucks tekur Band-lagi\u00f0 Down In The Flood\u00a0(2009), Roy Zimmerman er me\u00f0 Chickenhawk (2006) og svo framvegis. Yfirs\u00fdn m\u00edn ver\u00f0ur verri eftir \u00fev\u00ed sem n\u00e6r dregur samt\u00edmanum en \u00e9g held a\u00f0 botninn hafi svol\u00edti\u00f0 dotti\u00f0 \u00far \u00feessu upp \u00far 2010. \u00c9g er ekki me\u00f0 neitt lag fr\u00e1 2009 til 2018 \u2013 \u00feegar Delgr\u00e9s gefa \u00fat hina ge\u00f0veiku Mo Jodi pl\u00f6tu \u00fear sem me\u00f0al annars m\u00e1 finna Mr. President.\u00a02019 gefur Gary Clark jr. (sem er kannski ekki minn tebolli \u00fe\u00f3tt lagi\u00f0 venjist) \u00fat This Land. En \u00ed \u00feessu gr\u00faski rakst \u00e9g l\u00edka \u00e1 eitt lag eftir Corey Harris, sem \u00e9g hef haldi\u00f0 upp \u00e1 \u00fe\u00f3tt \u00feetta lag hafi fari\u00f0 framhj\u00e1 m\u00e9r. Corey var \u00ed st\u00f3ru hlutverki \u00ed fyrstu myndinni \u00ed fimm kvikmynda ser\u00edu Scorseses um bl\u00fasinn, Feel Like Going Home, og \u00e9g uppg\u00f6tva\u00f0i hann fyrir 1-2 \u00e1rum \u00ed gegnum kover af God Don\u2019t Ever Change\u00a0eftir Blind Willie Johnson. N\u00e1nast \u00ed \u00feessum or\u00f0um skrifu\u00f0um renndi \u00e9g yfir lagalistana \u00e1 s\u00ed\u00f0ustu pl\u00f6tum hans \u2013 af \u00fev\u00ed \u00e9g hef fylgt honum \u00e1 Twitter og veit hann er p\u00f3lit\u00edskur \u00fe\u00f3tt \u00e9g hafi l\u00edti\u00f0 sp\u00e1\u00f0 \u00ed \u00fea\u00f0 \u00ed tengslum vi\u00f0 l\u00f6gin (mest hlusta\u00f0 \u00e1 koverin hans) \u2013 og \u00fe\u00e1 bara birtist \u00feetta og \u00e9g hlusta\u00f0i \u00e1 \u00fea\u00f0 og \u00e9g get svolei\u00f0is svari\u00f0 \u00fea\u00f0 a\u00f0 m\u00e9r l\u00e1 vi\u00f0 a\u00f0 fara grenja. \u00dea\u00f0 er greinilega n\u00fdb\u00fai\u00f0 a\u00f0 hla\u00f0a laginu upp \u00e1 YouTube en \u00fea\u00f0 er tveggja \u00e1ra gamalt af pl\u00f6tunni Free Water Way. AUKAEFNI: Listinn \u2013 og hlekkur \u00e1 playlistann \u00e1 Spotify . \u00c9g hef\u00f0i geta\u00f0 tilteki\u00f0 miklu fleiri l\u00f6g fr\u00e1 biss\u00ed \u00e1runum \u2013 en mj\u00f6g l\u00edti\u00f0 fleira fr\u00e1 l\u00e6g\u00f0ar\u00e1runum. 1923 Sam Jones Blues \u2013 Bessie Smith 1928 Poor Man\u2019s Blues\u00a0\u00a0\u00a0\u00a0Bessie Smith 1928 When Will I Be Called a Man \u2013 Big Bill Broonzy (teki\u00f0 upp 1955) 1929 (What Did I Do to Be So) Black and Blue\u00a0\u00a0\u00a0\u00a0Louis Armstrong 1930 When the War Was On \u2013 Blind Willie Johnson 1931 orginall, 2004 me\u00f0 Buddy \u2013 Hard Time Killing Floor\u00a0\u00a0\u00a0Buddy Guy 1937 Bourgeois Blues\u00a0\u00a0\u00a0\u00a0Lead Belly 1939 Strange Fruit\u00a0\u00a0\u00a0\u00a0Billie Holiday 1940 Take This Hammer\u00a0\u00a0\u00a0\u00a0Lead Belly 1940 Jim Crow Blues\u00a0\u00a0\u00a0\u00a0Lead Belly 1941 Southern Exposure\u00a0\u00a0\u00a0\u00a0Josh White 1941 Uncle Sam Says \u2013 Josh White 1942 Mr. Hitler\u00a0\u00a0\u00a0\u00a0Lead Belly 1943 War Song\u00a0\u00a0\u00a0\u00a0Buster Brown 1947 Stockyard Blues\u00a0\u00a0\u00a0\u00a0Floyd Jones 1951 Black, Brown and White\u00a0\u00a0\u00a0\u00a0Big Bill Broonzy (sami\u00f0 45) 1954 Eisenhower Blues \u00a0\u2013 J.B. Lenoir 1954 I\u2019m in Korea\u00a0\u00a0\u00a0\u00a0J.B. Lenoir 1954 Livin\u2019 In The White House\u00a0\u00a0\u00a0\u00a0J.B. Lenoir 1955 Free &#038; Equal Blues (sami\u00f0 40ogeitthva\u00f0) \u2013 Josh White 1955 Mannish Boy\u00a0\u00a0\u00a0\u00a0Muddy Waters 1960 Democrat Man \u2013 John Lee Hooker 1963 Red\u2019s Dream \u2013 Louisiana Red 1965 No Payday Here\u00a0\u00a0\u00a0\u00a0J.B. Smith 1965 Vietnam Blues\u00a0\u00a0\u00a0\u00a0J.B. Lenoir 1965 Mainline Prosperity Blues\u00a0\u00a0\u00a0\u00a0Mimi And Richard Farina 1966 Four Women \u2013 Nina Simone 1967 Backlash Blues \u2013 Nina Simone 1967 Politician \u2013 Cream 1968 Big Boss Man \u2013 Jimmy Reed 1968 I Don\u2019t Wanna Go To Vietnam\u00a0\u00a0\u00a0\u00a0John Lee Hooker 1969 Please Settle in Vietnam\u00a0\u00a0\u00a0\u00a0Lightnin\u2019 Hopkins 1969 Vietnam T-Bone Walker 1969 Poor Moon \u2013 Bonus Track\u00a0\u00a0\u00a0\u00a0Canned Heat 1969 Why I Sing the Blues \u2013 BB King 1970 This is not a song, it\u2019s an outburst: or the establishment blues \u2013 Rodriguez 1972 A Apolitical Blues\u00a0\u00a0\u00a0\u00a0Little Feat (l\u00edka til me\u00f0 Van Halen!) 1983 Reagan is for the Rich Man \u2013 Louisiana Red 1986 Taxman \u2013 Stevie Ray Vaughan 1989 Be Careful How You Vote \u2013 Sunnyland Slim 1996 Tojo Told Hitler\u00a0\u00a0\u00a0\u00a0R.L. Burnside 2001 Jim Crow Blues\u00a0\u00a0\u00a0\u00a0Odetta 2002 Ten Million Slaves\u00a0\u00a0\u00a0\u00a0Otis Taylor 2003 Rosa Rosa \u2013 Otis Taylor 2004 The Problem \u2013 JJ Cale 2006 Waves Of Grain\u00a0\u00a0\u00a0\u00a0Two Gallants 2006 We The People\u00a0\u00a0\u00a0\u00a0Guitar Shorty 2006 Don\u2019t Be Afraid Of the Neo-Cons\u00a0\u00a0\u00a0\u00a0Norman Blake, Nancy Blake 2006 Chickenhawk\u00a0\u00a0\u00a0\u00a0Roy Zimmerman 2006 Black Water\u00a0\u00a0\u00a0\u00a0Charlie Musselwhite 2007 Bring The Boys Back Home\u00a0\u00a0\u00a0\u00a0David Evans 2007 Jesus And Mohammed\u00a0\u00a0\u00a0\u00a0Candye Kane 2007 You Don\u2019t Really Wanna Know\u00a0\u00a0\u00a0\u00a0Charlie Wood 2008 A Time For Peace\u00a0\u00a0\u00a0\u00a0Eddy Clearwater 2009 Dubb\u2019s Talkin\u2019 Barnyard Blues\u00a0\u00a0\u00a0\u00a0Doug MacLeod 2009 Down in the Flood \u2013 Derek Trucks 2018 Mr President\u00a0\u00a0\u00a0\u00a0Delgres 2018 I Can\u2019t Breathe \u2013 Corey Harris<br \/>\n 2019 This Land \u2013 Gary Clark Jr.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>F\u00e1t\u00e6kt \u00e1 \u00feri\u00f0ja og fj\u00f3r\u00f0a \u00e1ratugnum. Seinni heimsstyrj\u00f6ldin. V\u00edetnam. Katrina. Bl\u00fasinn er kannski alltaf \u00ed grunninn p\u00f3lit\u00edsk t\u00f3nlist, einsog Angela Davis hefur vilja\u00f0 meina \u2013 t\u00f3nlist frelsunar og f\u00e9lagslegrar p\u00f3lit\u00edkur hins pers\u00f3nulega \u2013 en hann einbl\u00ednir samt fyrst og fremst \u00e1 reynslu einstaklingsins og er sjaldan narrat\u00edfur og hentar \u00fev\u00ed illa \u00ed d\u00e6mis\u00f6gur e\u00f0a brei\u00f0ar &hellip; <a href=\"https:\/\/norddahl.org\/fjallabaksleidin\/?p=5641\" class=\"more-link\">Halda \u00e1fram a\u00f0 lesa: <span class=\"screen-reader-text\">id&#8220;&#8220;:&#8220;&#8220;39vt5&#8243;&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5641","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5641"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5641\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}