\u00c1\u00f0an las \u00e9g fr\u00e9tt \u00e1 vef R\u00edkis\u00fatvarpsins \u00fear sem vitna\u00f0 er til vi\u00f0brag\u00f0a L\u00f6nu del Rey vi\u00f0 gagnr\u00fdni sem h\u00fan hefur fengi\u00f0 fyrir a\u00f0 syngja l\u00f6g \u00fear sem h\u00fan er s\u00f6g\u00f0 \u201eupphefja ofbeldi\u201c. Sem d\u00e6mi um sl\u00edka texta er nefnt lagi\u00f0 Ultraviolence og textabroti\u00f0: \u201eHe hit me and it felt like a kiss\u201c. \u00deetta er tregafullt lag en \u00fe\u00f3 ekki bl\u00fas og ver\u00f0ur ekki til umfj\u00f6llunar frekar h\u00e9r. \u00dea\u00f0 sem vakti hins vegar athygli bl\u00fasbloggarans voru lokaor\u00f0 varnarr\u00e6\u00f0u L\u00f6nu del Rey: But I also feel it really paved the way for other women to stop \u2019putting on a happy face\u2019 and to just be able to say whatever the hell they wanted to in their music\u2014unlike my experience where if I even expressed a note of sadness in my first two records I was deemed literally hysterical as though it was literally the 1920s.\u201d \u00dea\u00f0 var sem sagt \u00feetta me\u00f0 b\u00f3kstaflega \u00feri\u00f0ja \u00e1ratuginn sem vakti athygli m\u00edna. \u00c9g er svo sem vanur \u00fev\u00ed a\u00f0 sj\u00e1 ungt f\u00f3lk tr\u00faa \u00fev\u00ed a\u00f0 \u00fea\u00f0 hafi ekki n\u00e1\u00f0st neinar raunverulegar framfarir \u00ed f\u00e9lagsm\u00e1lum fyrren \u00feau byrju\u00f0u \u00ed h\u00e1sk\u00f3la og f\u00f3ru sj\u00e1lf a\u00f0 l\u00e1ta til s\u00edn taka \u2013 og man \u00e1g\u00e6tlega hvernig \u00fea\u00f0 er a\u00f0 l\u00ed\u00f0a \u00feannig. S\u00fa \u00f3\u00feolinm\u00e6\u00f0i er forsenda margra framfara og \u00e9g lasta hana \u00ed sj\u00e1lfu s\u00e9r ekki. \u00cdhaldssemi og frj\u00e1lslyndi hafa samt a\u00f0 einhverju leyti alltaf sveiflast fram og til baka og \u00fea\u00f0 eru til t\u00edmar og sta\u00f0ir \u00fear sem meira frj\u00e1lslyndi r\u00edkti en vi\u00f0 almennt \u00edmyndum okkur \u2013 jafnvel \u00ed fort\u00ed\u00f0inni. Oft horfir f\u00f3lk \u00fe\u00e1 til hippat\u00edmabilsins, sem \u00e9g held a\u00f0 s\u00e9 n\u00fa talsvert ofmat, en \u00e1 \u00e1byggilega vi\u00f0 einhver r\u00f6k a\u00f0 sty\u00f0jast. \u00c9g hugsa oft sj\u00e1lfur til Berl\u00ednar \u00e1 \u00feri\u00f0ja \u00e1ratugnum \u2013 \u00fear sem t.d. fyrsta kynskiptia\u00f0ger\u00f0in \u00e1tti s\u00e9r sta\u00f0, og f\u00f3lk lif\u00f0i vi\u00f0 miki\u00f0 frj\u00e1lsr\u00e6\u00f0i \u00ed kynfer\u00f0ism\u00e1lum, \u00fea\u00f0 var allt morandi \u00ed s\u00f3s\u00edalistum og anarkistum og brj\u00e1lu\u00f0um listam\u00f6nnum. \u00de\u00e1 voru t\u00edmar og sta\u00f0ir \u00ed kringum b\u00edtsk\u00e1ldin \u00e1 fimmta og sj\u00f6tta \u00e1ratugnum \u2013 og l\u00fdsingar Gore Vidal \u00e1 \u00e6sku sinni me\u00f0al au\u00f0uga og valdamikla f\u00f3lksins (t.d. JFK) benda ekki til mikillar \u00edhaldssemi. \u00c1 flestum st\u00f6\u00f0um og \u00e1 flestum t\u00edmum hafa \u00feetta hins vegar veri\u00f0 \u00e1t\u00f6k og ekki sama hvort ma\u00f0ur er J\u00f3n e\u00f0a s\u00e9ra J\u00f3n e\u00f0a svarti J\u00f3n e\u00f0a J\u00f3na o.s.frv. \u00dea\u00f0 sem komi\u00f0 haf\u00f0i upp \u00ed huga minn \u00feegar \u00e9g byrja\u00f0i a\u00f0 lesa \u00feessa fr\u00e9tt var samt einmitt \u00feri\u00f0ji \u00e1ratugurinn \u00ed bandar\u00edskri t\u00f3nlist, \u00e1\u00f0ur en Lana f\u00f3r a\u00f0 gera l\u00edti\u00f0 \u00far honum \u2013 fyrst og fremst svartri t\u00f3nlist og fyrst og fremst lagi\u00f0 Tain\u2019t Nobody\u2019s Business (If I Do). Au\u00f0vita\u00f0 er einfaldlega fjarst\u00e6\u00f0a a\u00f0 halda \u00fev\u00ed fram a\u00f0 depur\u00f0 \u00ed lagasm\u00ed\u00f0um hafi ekki \u00e1tt upp \u00e1 pallbor\u00f0i\u00f0 \u00e1 \u00feri\u00f0ja \u00e1ratugnum \u2013 e\u00f0a, ma\u00f0ur ver\u00f0ur \u00fe\u00e1 allavega a\u00f0 tiltaka mj\u00f6g n\u00e1kv\u00e6mlega hva\u00f0a sta\u00f0 ma\u00f0ur er a\u00f0 meina, kannski var depur\u00f0 ekki \u00ed m\u00f3\u00f0 \u00e1 bryggjub\u00f6llum \u00e1 Siglufir\u00f0i, \u00e9g veit \u00fea\u00f0 ekki \u2013 en \u00fea\u00f0 var miki\u00f0 sungi\u00f0 um depur\u00f0 og harm \u00ed deltunni og vaxandi st\u00f3rborgum b\u00e6\u00f0i \u00ed nor\u00f0ri og su\u00f0ri Bandar\u00edkjanna, og Tain\u2019t Nobody\u2019s Business er \u00e1g\u00e6tis d\u00e6mi um \u00fea\u00f0 \u2013 og tilefni til a\u00f0 sko\u00f0a s\u00f6gu \u00feess l\u00edtillega. \u00deetta lag er einn af fyrstu bl\u00fasstand\u00f6rdunum og var upphaflega skrifa\u00f0 \u00e1 tvo p\u00edan\u00f3leikara, Porter Grainger og Everett Robbins og teki\u00f0 upp me\u00f0 s\u00f6ngkonunni \u00d6nnu Meyers. \u00deema textans er frelsi lj\u00f3\u00f0m\u00e6landa til a\u00f0 gera hva\u00f0 sem henni (stundum honum) s\u00fdnist. \u00deriggja l\u00ednu erindi \u00fear sem fyrstu tv\u00e6r leggja upp a\u00f0st\u00e6\u00f0ur og s\u00fa \u00feri\u00f0ja er alltaf eins: \u00fea\u00f0 kemur \u00fe\u00e9r bara andskotann ekkert vi\u00f0. If I go to church on sunday
\n and strutt my stuff on monday
\n tain\u2019t nobody\u2019s business if I do.\u00a0 E\u00f0a If I should take a notion
\n to jump into the ocean
\n tain\u2019t nobody\u2019s business if I do.\u00a0 Einsog var svo algengt \u00feegar l\u00f6g sl\u00f3gu \u00ed gegn var \u00feetta svo teki\u00f0 upp af annarri hverri s\u00f6ngkonu \u00e1 n\u00e6stu \u00e1rum \u2013 \u00fear \u00e1 me\u00f0al S\u00f6ru \u201ethe Famous Moanin\u2019 Mama\u201c Martin og Albertu Hunter. En \u00feekktasta \u00fatg\u00e1fan fr\u00e1 \u00feessu t\u00edmabili er \u00e1n efa \u00fatg\u00e1fa Bessie Smith \u2013 sem er tregafyllri, minna einfalt stu\u00f0lag og h\u00fan n\u00e6r einhvern veginn a\u00f0 mi\u00f0la alv\u00f6ru efnisins best. A\u00f0 \u00feetta er ekki alveg einfalt heldur margbroti\u00f0 \u2013 frelsi\u00f0 er best en \u00fea\u00f0 er l\u00edka s\u00e1rt og fl\u00f3ki\u00f0 og \u00fea\u00f0 er ekkert frelsi nema ma\u00f0ur hafi r\u00e9ttinn til a\u00f0 gera alls konar vitleysu l\u00edka. Kannski var \u00fea\u00f0 l\u00edka fyrst \u00fe\u00e1 sem f\u00f3lk staldra\u00f0i almennilega vi\u00f0 eitt erindi\u00f0 (\u00e1 wikipedius\u00ed\u00f0u lagsins er m.a.s. mj\u00f6g greinilega gefi\u00f0 \u00ed skyn a\u00f0 Bessie hafi veri\u00f0 fyrst til a\u00f0 syngja \u00feetta erindi, en \u00fea\u00f0 er alls ekki raunin): I swear I won\u2019t call no copper
\n if I get beat up by my poppa
\n tain\u2019t nobody\u2019s business if I do. Um \u00feetta er margt a\u00f0 segja. \u00cd fyrsta lagi a\u00f0 ofbeldi var daglegt brau\u00f0 \u00ed \u00ed l\u00edfi \u00feessa f\u00f3lks. \u00deetta er alls ekki eina bl\u00faslagi\u00f0 sem fjallar um ofbeldi af \u00feessari tegund og \u00e1 \u00feennan h\u00e1tt \u2013 en \u00fea\u00f0 var raunar ekki s\u00ed\u00f0ur algengt a\u00f0 konur syngju l\u00f6g um a\u00f0 hefna s\u00edn \u00e1 \u00f3tr\u00faum m\u00f6kum s\u00ednum. T.d. Sleep Talking Blues me\u00f0 Ma Rainey \u2013 \u00fear sem ma\u00f0urinn hennar missir \u00fat \u00far s\u00e9r nafn \u00e1stkonu sinnar \u00ed svefni og vaknar aldrei aftur. Bessie \u00e1tti l\u00edka fr\u00e6gt lag sem heitir Send Me To The \u2019Lectric Chair: I love him so dear
\n I cut him with my barlow
\n I kicked him in the side
\n I stood here laughing o\u2019er him
\n While he wallowed around and died Og eitt fr\u00e6gasta lag Memphis Minnie fjallar um einkab\u00edlstj\u00f3ra sem h\u00fan heldur fyrir elskhuga: \u201eBut I don\u2019t want him \/ To be ridin\u2019 these girls \/ To be ridin\u2019 these girls around \/So I\u2019m gonna steal me a pistol, shoot my chauffeur down.\u201c Og listinn yfir l\u00f6g bl\u00faskarla um a\u00f0 skj\u00f3ta konurnar s\u00ednar fyrir sams konar gl\u00e6pi myndi fylla b\u00f3k einn og s\u00e9r \u2013 m\u00f6rg \u00feeirra eru miklu gr\u00f3fari. Fr\u00e6gast er kannski 22-20 Blues eftir Skip James e\u00f0a Crow Jane \u2013 og \u00feau eru allavega alls ekki f\u00e6rri en l\u00f6g kvennanna. \u00c9g man \u00fe\u00f3 engin l\u00f6g \u00fear sem \u00feeir syngja um a\u00f0 hafa veri\u00f0 bar\u00f0ir sj\u00e1lfir. \u00dea\u00f0 annars \u00fair einfaldlega og gr\u00fair af ofbeldi \u00ed \u00feessum l\u00f6gum einsog \u00fea\u00f0 ger\u00f0i \u00ed veruleika \u00feessa f\u00f3lks \u2013 \u00fe\u00f3tt \u00fea\u00f0 s\u00e9 l\u00edti\u00f0 skrifa\u00f0, ort e\u00f0a sungi\u00f0 um ofbeldi\u00f0 sem bl\u00f6kkumenn ur\u00f0u fyrir af hendi hv\u00edtra. \u00dev\u00ed er reyndar gjarnan l\u00edka haldi\u00f0 fram, \u00e1n \u00feess a\u00f0 \u00e9g kunni a\u00f0 sannreyna \u00fea\u00f0, a\u00f0 m\u00f6rg \u00feessara laga um a\u00f0 skj\u00f3ta konurnar s\u00ednar s\u00e9u dulb\u00fain l\u00f6g um plantekrueigendur \u2013 \u00fea\u00f0 s\u00e9 \u00ed raun veri\u00f0 a\u00f0 syngja um \u00feeirra svik\u00a0og f\u00e1 \u00fatr\u00e1s fyrir ofbeldis\u00fer\u00e1 \u00ed \u00feeirra gar\u00f0, en \u00feeim skipt \u00fat fyrir konurnar \u2013 \u00fev\u00ed anna\u00f0 kostar b\u00f3kstaflega hengingu, um \u00fea\u00f0 \u00fearf ekki a\u00f0 efast \u2013 og \u00fea\u00f0 er \u00e1rei\u00f0anlega a.m.k. eitthva\u00f0 til \u00ed \u00fev\u00ed, en \u00fea\u00f0 \u00e1 samt varla vi\u00f0 \u00ed l\u00f6gum einsog Tain\u2019t Nobody\u2019s Business. \u00cd \u00f6\u00f0ru lagi hafa margir vitrir spekingar skrifa\u00f0 um \u00feetta sem svartan h\u00famor vi\u00f0 svartar a\u00f0st\u00e6\u00f0ur \u2013\u00a0og \u00fea\u00f0 ber \u00f6llum s\u00f6gum saman um \u00fea\u00f0 a\u00f0 \u00feegar sungi\u00f0 var um kynl\u00edf og ofbeldi \u00e1 juke joint skemmtist\u00f6\u00f0unum \u00ed deltunni hafi f\u00f3lk hlegi\u00f0 d\u00e1tt. \u00deetta er upprunalega slappstikk \u2013 a.m.k. \u00ed og me\u00f0. Sem \u00fe\u00fd\u00f0ir ekki a\u00f0 \u00fea\u00f0 v\u00edsi ekki \u00ed raunverulega l\u00edfi\u00f0 \u2013 h\u00e6ttur f\u00f3lks og \u00e1hyggjur og nevr\u00f3sur. \u00dea\u00f0 gerir svartur h\u00famor alltaf. \u00cd \u00feri\u00f0ja lagi m\u00e1 hafa \u00ed huga a\u00f0 \u00feessi l\u00f6g eru skrifu\u00f0 og sennilega a\u00f0 mestu leyti samin af k\u00f6rlum. \u00deegar \u00e9g segi a\u00f0 mestu leyti \u00e1 \u00e9g ekki bara vi\u00f0 a\u00f0 \u00feeir hafi sami\u00f0 flest l\u00f6gin heldur a\u00f0 \u00fea\u00f0 er bara ekki v\u00edst a\u00f0 \u00fe\u00f3tt \u00feeir s\u00e9u skrifa\u00f0ir fyrir \u00feessum l\u00f6gum hafi \u00feeir sami\u00f0 \u00feau og alls ekki a\u00f0 \u00f6llu leyti. \u00dea\u00f0 var p\u00ednu tilviljanakennt hver var skrifa\u00f0ur fyrir hverju og margir sem reyndu jafnvel a\u00f0 skr\u00e1 \u00e1 sig al\u00feekkta s\u00e1lma \u2013 ekki af neinum \u00f3\u00feokkaskap heldur vegna \u00feess a\u00f0 \u00feeir litu \u00e1 s\u00edna \u00fatg\u00e1fu sem n\u00fdja og \u00feannig frumsamda (sem er miklu e\u00f0lilegra vi\u00f0horf en vi\u00f0 b\u00faum vi\u00f0 \u00ed dag a\u00f0 m\u00ednu mati). Svo p\u00faslu\u00f0ust l\u00f6g saman \u00feegar \u00feau fluttust fr\u00e1 einni hlj\u00f3msveit til annarrar. Engu a\u00f0 s\u00ed\u00f0ur er mikilv\u00e6gt a\u00f0 hafa \u00ed huga a\u00f0 s\u00f6ngkonur einsog Bessie Smith sungu ekki hva\u00f0a rusl sem var \u2013 og h\u00fan s\u00f6ng aldrei neitt \u00e1n \u00feess a\u00f0 meina \u00fea\u00f0 og g\u00e6\u00f0a \u00fea\u00f0 n\u00fdrri merkingu. H\u00fan var listama\u00f0ur en ekki glymskratti og h\u00fan var \u00fer\u00e1tt fyrir t\u00edmann og a\u00f0st\u00e6\u00f0urnar ekki viljalaust pe\u00f0. En lagi\u00f0 er samt l\u00edklega a.m.k. a\u00f0 st\u00e6rstum hluta sami\u00f0 af tveimur k\u00f6rlum. Um lagi\u00f0 og flutning Bessiear skrifa\u00f0i Angela Davis me\u00f0al annars \u00ed Blues Legacies and Black Feminism: Bessie Smith\u2019s recorded performance of Porter Grainger\u2019s \u201dTain\u2019t Nobody\u2019s Bizness If I Do\u201d-a song also associated with Billie Holiday \u2013 is one of Smith\u2019s most widely known recordings. Like \u201dOutside of That,\u201dit has been interpreted as sanctioning female masochism. It is indeed extremely painful to hear Smith and Holiday sing the following verse so convincingly: [vitnar \u00ed sama og a\u00f0 ofan]. The lyrics of this song touched a chord in black women\u2019s lives that cannot be ignored. While it contradicts the prevailing stance in most of Bessie Smith\u2019s work, which emphasizes women\u2019s strength and equality, it certainly does not annul the latter\u2019s sincerity and authenticity. Moreover, the song\u2019 seeming acquiescence to battering occurs within a larger affirmation of women\u2019s rights as individuals to conduct themselves however they wish \u2013 however idiosyncratic their behavior might seem and regardless of the possible consequences. \u00deegar \u00e9g las \u00feetta \u00e1 s\u00ednum t\u00edma hugsa\u00f0i \u00e9g l\u00edka talsvert \u00fat \u00ed merkingu \u00feess a\u00f0 hringja \u00ed l\u00f6gregluna. \u00c1 \u00feessum t\u00edma \u2013 og a\u00f0 nokkru leyti enn, einsog \u00feekkt er \u2013 haf\u00f0i svart f\u00f3lk \u00ed Bandar\u00edkjunum ekkert \u00e6\u00f0islega mikla \u00e1st\u00e6\u00f0u til \u00feess a\u00f0 treysta \u00fev\u00ed a\u00f0 \u00fea\u00f0 hef\u00f0i miki\u00f0 a\u00f0 segja a\u00f0 hringja \u00ed l\u00f6gguna. Ekki veit \u00e9g hva\u00f0 l\u00f6greglan \u00ed Clarksdale hef\u00f0i sagt ef sv\u00f6rt kona hef\u00f0i hringt \u00e1ri\u00f0 1923 til \u00feess a\u00f0 kvarta undan \u00fev\u00ed a\u00f0 h\u00fan hef\u00f0i veri\u00f0 slegin \u2013 ekki getur \u00fea\u00f0 hafa veri\u00f0 alveg \u00fat \u00ed h\u00f6tt, fyrst \u00fea\u00f0 er nefnt \u00ed laginu (\u00e1 \u00feeirri forsendu a\u00f0 \u00fea\u00f0 a\u00f0 hringja ekki s\u00e9 eitthva\u00f0 sem ma\u00f0ur ver\u00f0i fyrir gagnr\u00fdni fyrir). Og kannski var \u00fea\u00f0 \u00f6\u00f0ruv\u00edsi \u00ed Atlanta en \u00ed Clarksdale. En eitthva\u00f0 segir m\u00e9r a\u00f0 \u00fea\u00f0 hafi kannski ekki alltaf gert illt betra a\u00f0 hafa l\u00f6gregluna me\u00f0 \u00ed r\u00e1\u00f0um og \u00fea\u00f0 felist \u00e1kve\u00f0in \u00f3gn \u00ed or\u00f0inu \u201ecopper\u201c sem s\u00e9 ekki minni en \u00ed or\u00f0inu \u201epoppa\u201c. Frank Stokes var l\u00edklega fyrsti karlinn til a\u00f0 syngja \u00feetta lag \u2013 \u00ed k\u00f6ntr\u00edbl\u00fas\u00fatg\u00e1fu \u00e1ri\u00f0 1928. \u00de\u00e1 er textinn miki\u00f0 breyttur en \u00fea\u00f0 var l\u00edka alvanalegt a\u00f0 sn\u00faa textum upp \u00e1 haus, b\u00e6ta vi\u00f0 einhverju fr\u00e1 eigin brj\u00f3sti (og hef\u00f0i veri\u00f0 algerlega ford\u00e6malaust, held \u00e9g, a\u00f0 karl hef\u00f0i sungi\u00f0 \u00ed or\u00f0asta\u00f0 konu). Lagi\u00f0 er reyndar l\u00edka svo miki\u00f0 breytt a\u00f0 hann hef\u00f0i alveg geta\u00f0 gefi\u00f0 \u00fea\u00f0 \u00fat sem sitt eigi\u00f0 \u2013 \u00feetta er t\u00f3lf bara bl\u00fas sem ber keim af orginalnum en ekki miki\u00f0 meira en \u00fea\u00f0. Sennilega n\u00fdtti hann s\u00e9r einfaldlega l\u00edkindin vi\u00f0 vins\u00e6lt lag til a\u00f0 selja pl\u00f6tuna. E\u00f0a, og \u00fea\u00f0 er enn l\u00edklegra, var \u00fea\u00f0 bara \u00fatgefandinn \u2013 \u00fev\u00ed Stokes syngur ekki einu sinni \u201eif I do\u201c \u00ed vi\u00f0laginu heldur \u201enobody\u2019s business but mine\u201c sem hlj\u00f3mar n\u00fa meira einsog klass\u00edsk k\u00f6ntr\u00edbl\u00fasbreyting til a\u00f0 eigna s\u00e9r lag. \u00deetta er svo sama \u00fatg\u00e1fa og Mississippi John Hurt ger\u00f0i \u00fea\u00f0 gott me\u00f0 \u00ed bl\u00fasendurreisninni \u2013 og s\u00fa sem Woody Guthrie t\u00f3k upp. Einsog Angela nefnir t\u00f3k Billie Holiday lagi\u00f0 svo upp s\u00ed\u00f0ar. \u00c9g myndi n\u00fa segja a\u00f0 \u00fea\u00f0 v\u00e6ri minnih\u00e1ttar punktur \u00e1 hennar mikla ferli. Jimmy Witherspoon \u00e1tti hins vegar mikinn smell me\u00f0 \u00feessu 1949 og syngur \u00fe\u00e1 \u00ed fyrsta erindinu Some of these days I\u2019m goin\u2019 crazy
\n buy me a shotgun and shoot my baby
\n ain\u2019t nobody\u2019s business if I do \u00deessu erindi var n\u00fa svo yfirleitt bara sleppt \u2013 og Jimmy sleppti \u00fev\u00ed held \u00e9g oft sj\u00e1lfur live (einsog Lana sleppir barsm\u00ed\u00f0al\u00ednunni sem vitna\u00f0 er til a\u00f0 ofan) \u2013 en \u00fea\u00f0 er mikill hr\u00e6ringur me\u00f0 textann og hann er svo sem ekki alltaf tandurhreinn mi\u00f0a\u00f0 vi\u00f0 \u00fe\u00e1 standarda sem menn d\u00e6ma texta L\u00f6nu del Rey (t.d. standard-erindi um a\u00f0 \u00fea\u00f0 komi engum vi\u00f0 \u00fe\u00f3tt ma\u00f0ur s\u00e9 eina stundina a\u00f0 r\u00edfast vi\u00f0 skv\u00edsuna s\u00edna en \u00fe\u00e1 n\u00e6stu s\u00e9 bara allt \u00ed g\u00f3\u00f0u \u2013 \u00e9g held \u00fea\u00f0 kveiki \u00e1 millj\u00f3n vi\u00f0v\u00f6runarbj\u00f6llum hj\u00e1 hinum vi\u00f0kv\u00e6mu, klass\u00edskt d\u00e6mi um narsiss\u00edskan pers\u00f3nuleika og gasl\u00fdsingu!). Yfirleitt hefst hann n\u00fana \u00e1 \u00fev\u00ed sem \u00e1\u00f0ur var s\u00ed\u00f0asta erindi\u00f0: If one day we have ham and bacon
\n and the next day, there ain\u2019t nothin\u2019 shakin\u2019
\n ain\u2019t nobody\u2019s business if I do \u00dea\u00f0 eru svo au\u00f0vita\u00f0 til \u00f3tal mismunandi \u00fatg\u00e1fur \u2013 enda myndi \u00feetta varla annars reiknast sem standard. Otis Spann \u00e1 \u00fatg\u00e1fu sem er allt\u00edlagi, BB King t\u00f3k \u00feetta upp \u00ed s\u00ednum st\u00edl og svo aftur live-\u00fatg\u00e1fu me\u00f0 Ruth Brown, Hank Williams jr. ger\u00f0i k\u00f6ntr\u00ed\u00fatg\u00e1fu af Witherspoon versj\u00f3ninni (\u00e1n fyrsta erindisins) \u00e1ri\u00f0 1990, og svo framvegis og og svo framvegis. En ein fallegasta seinni-t\u00edma \u00fatg\u00e1fan er \u00e1n efa \u00fatg\u00e1fa Freddie King. Svo er \u201eekki h\u00e6gt a\u00f0 l\u00e1ta hj\u00e1 l\u00ed\u00f0a\u201c, einsog heitir, a\u00f0 nefna \u00fatg\u00e1fu Taj Mahal \u2013 sem er kannski ekki jafn falleg og hj\u00e1 Freddie en skemmtilegri sem \u00fev\u00ed nemur. \u00dear breytir hann l\u00edka fyrsta erindinu \u00ed: Champagne don\u2019t drive me crazy
\n cocaine don\u2019t make me lazy
\n ain\u2019t nobody\u2019s business but my own Sem er n\u00fa \u00f3neitanlega vinalegra. B\u00f3nus\u00fatg\u00e1fa \u2013 af \u00fev\u00ed \u00fea\u00f0 er svo erfitt a\u00f0 h\u00e6tta \u00feegar ma\u00f0ur er byrja\u00f0ur \u2013\u00a0er live-\u00fatg\u00e1fa BB King og Ruth Brown. Ekki bara af \u00fev\u00ed \u00feau eru einhvers konar heimsmeistarar \u00ed a\u00f0 vera kr\u00fattleg heldur l\u00edka af \u00fev\u00ed \u00feau eru svo skemmtileg gr\u00f6\u00f0!<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00c1\u00f0an las \u00e9g fr\u00e9tt \u00e1 vef R\u00edkis\u00fatvarpsins \u00fear sem vitna\u00f0 er til vi\u00f0brag\u00f0a L\u00f6nu del Rey vi\u00f0 gagnr\u00fdni sem h\u00fan hefur fengi\u00f0 fyrir a\u00f0 syngja l\u00f6g \u00fear sem h\u00fan er s\u00f6g\u00f0 \u201eupphefja ofbeldi\u201c. Sem d\u00e6mi um sl\u00edka texta er nefnt lagi\u00f0 Ultraviolence og textabroti\u00f0: \u201eHe hit me and it felt like a kiss\u201c. \u00deetta er … Halda \u00e1fram a\u00f0 lesa: id““:““b3cpi““<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5649","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5649"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5649\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}