\u00dea\u00f0 v\u00e6ri ofs\u00f6gum sagt a\u00f0 Between Two Ferns: The Movie s\u00e9 g\u00f3\u00f0 og \u00fea\u00f0 v\u00e6ri lygi a\u00f0 segja a\u00f0 h\u00fan v\u00e6ri sl\u00e6m. Kannski er h\u00fan fyrst og fremst \u2013 einsog \u00fe\u00e6ttirnir sem h\u00fan er bygg\u00f0 \u00e1 \u2013 s\u00e9rvitur. Zach Galifianakis leikur samnefndar karakter sem er me\u00f0 \u201epublic access\u201c sj\u00f3nvarps\u00fe\u00e1tt \u00ed Bandar\u00edkjunum \u00fear sem hann tekur vi\u00f0t\u00f6l vi\u00f0 fr\u00e6gt f\u00f3lk (sem kemur til hans af \u00fev\u00ed Will Ferrell, sem birtir vi\u00f0t\u00f6lin \u00e1 Funny or Die og gr\u00e6\u00f0ir \u00e1 \u00fev\u00ed peninga, skipar \u00feeim a\u00f0 gera \u00fea\u00f0). Hann er ekki beinl\u00ednis heimskur en honum er frekar illa vi\u00f0 vi\u00f0m\u00e6lendur s\u00edna og leyfir fyrirlitningu sinni a\u00f0 sk\u00edna \u00ed gegnum yfirbrag\u00f0 sem annars ver\u00f0ur varla \u00f6\u00f0ruv\u00edsi l\u00fdst en sem algert \u00e1hugaleysi. Hann langar a\u00f0 gera \u00feetta \u2013 hann segir \u00fea\u00f0 oft, \u00feetta er draumurinn hans \u2013 en hann langar \u00fea\u00f0 samt ekki svona. Honum finnst leikarar heimskir og h\u00e9g\u00f3mlegir og oft \u00e1 t\u00ed\u00f0um jafnvel h\u00e6fileikalausir sem leikarar. \u00cd formattinu afhj\u00fapast samt\u00edmis miklir ford\u00f3mar \u2013 b\u00e6\u00f0i gagnvart einhverjum svona \u00fatn\u00e1rat\u00fdpum einsog Zach en l\u00edka gagnvart Hollywoodleikurum \u2013 og \u00fea\u00f0 afhj\u00fapast einhverjir sannleikar um h\u00e9g\u00f3ma \u00feeirra og l\u00edfsvi\u00f0horf og kerfisl\u00e6gar a\u00f0st\u00e6\u00f0ur og valdi\u00f0 milli hinna fr\u00e6gu og hinna \u00f3fr\u00e6gu. Plotti\u00f0 \u00ed myndinni gerir ekki miki\u00f0 anna\u00f0 en a\u00f0 v\u00edkka hugmyndina \u00far \u00fe\u00e1ttunum a\u00f0eins \u00fat \u2013 gera a\u00f0st\u00e6\u00f0urnar a\u00f0eins skiljanlegri (\u00e9g held a\u00f0 karakterinn hafi aldrei annars s\u00e9st nema \u00ed vi\u00f0t\u00f6lunum sj\u00e1lfum). \u00dea\u00f0 gengur \u00fat \u00e1 a\u00f0 hann \u00fearf a\u00f0 taka 10 n\u00fdja \u00fe\u00e6tti \u00e1 tveimur vikum og koma \u00feeim til Wills Ferrell og \u00fe\u00e1 f\u00e1i hann alv\u00f6ru sj\u00f3nvarps\u00fe\u00e1tt \u00e1 alv\u00f6ru sj\u00f3nvarpsst\u00f6\u00f0. A\u00f0 einhverju leyti minnir myndin \u00e1 a\u00f0ra mynd sem fjalla\u00f0i l\u00edka um skr\u00edtinn mann \u00e1 public access sj\u00f3nvarpsst\u00f6\u00f0 sem \u00feurfti a\u00f0 berjast fyrir tilvist sinni \u2013 Weird Al Yankovic myndina UHF. Between Two Ferns er alltaf \u00e1 ja\u00f0ri \u00feess a\u00f0 fara a\u00f0 ver\u00f0a listaverk \u2013 negla mann einhvers sta\u00f0ar annars sta\u00f0ar en bara \u00ed hl\u00e1turv\u00f6\u00f0vana, st\u00edga \u00fat \u00far meinstr\u00edminu \u00e1 vit m\u00f3dern\u00edskrar s\u00f6gu um tilgang l\u00edfsins, eitthva\u00f0 svona Hal Hartley hittir On the Road hittir Freddy Got Fingered \u2013 en gerir \u00fea\u00f0 \u00e1 endanum ekki (hvort sem \u00fea\u00f0 er me\u00f0 vilja e\u00f0ur ei). *** Sk\u00e1ldsagan The End of Eddy (En finir Eddy Bellegueule) eftir \u00c9douard Louis (n\u00e9 \u00a0Belleguele) kom \u00fat \u00e1 ensku \u00ed fyrra eftir a\u00f0 hafa skeki\u00f0 evr\u00f3pskt b\u00f3kmenntal\u00edf \u00e1ri\u00f0 2014. \u00dea\u00f0 er mj\u00f6g skr\u00edti\u00f0 a\u00f0 h\u00fan hafi ekki komi\u00f0 \u00e1 \u00edslensku \u2013 s\u00e9rstaklega af \u00fev\u00ed h\u00fan er stutt og \u00fev\u00ed frekar \u00f3d\u00fdrt a\u00f0 gefa hana \u00fat (svona mi\u00f0a\u00f0 vi\u00f0 eitthva\u00f0 einsog Min Kamp a.m.k.). B\u00f3kin er sk\u00e1ld\u00e6visaga samkynhneig\u00f0s h\u00f6fundar sem elst upp \u00ed f\u00e1t\u00e6kt \u00ed fr\u00f6nsku sm\u00e1\u00feorpi. L\u00fdsingar \u00c9douards \u00e1 \u00e6vi sinni eru svakalegar og minna mann frekar \u00e1 l\u00fdsingar \u00feeirra sem \u00f3lustu upp \u00e1 sj\u00f6unda og \u00e1ttunda \u00e1ratugnum en manns sem er f\u00e6ddur 1992 \u2013 ekki endilega vegna f\u00e1t\u00e6karinnar, sem er svo sannarlega vi\u00f0varandi vandam\u00e1l alls sta\u00f0ar enn \u00ed dag, heldur vegna \u00edhaldsseminnar og ofbeldisins og drykkjumenningarinnar \u00ed kringum hann. \u00dea\u00f0 eru allir alltaf a\u00f0 sl\u00e1st, blindfullir og \u00e6pa eitthva\u00f0 um \u00f3ge\u00f0slega homma. \u00c9douard er sj\u00e1lfur engin undantekning \u00fear og gerir s\u00e9r far um a\u00f0 leggja yngri str\u00e1k \u00ed einelti fyrir hommaskap \u2013 til a\u00f0 losna undan sl\u00edkum stimpli sj\u00e1lfur. \u00c9g veit ekki alveg hverju \u00e9g \u00e1tti von \u00e1. M\u00e9r fannst einsog hann v\u00e6ri meira \u00e1 efnahagslegu l\u00ednunni og b\u00f3kin myndi afhj\u00fapa eitthva\u00f0 meira \u00fear \u2013 segja m\u00e9r eitthva\u00f0 um st\u00e9ttir. \u00c9g \u00e1tti kannski bara von \u00e1 s\u00f3s\u00edal\u00edskara verki. \u00deetta er g\u00f6tustr\u00e1kab\u00f3k og h\u00fan segir manni talsvert um fr\u00f6nsku sveitina \u2013 sm\u00e1b\u00e6ina, a.m.k. ef ma\u00f0ur tekur hana \u00e1 or\u00f0inu, og s\u00fa l\u00fdsing er langt \u00ed fr\u00e1 f\u00f6gur. Sem b\u00f3kmenntaverk er h\u00fan n\u00fa kannski engin st\u00f3rt\u00ed\u00f0indi \u2013 h\u00fan er ekki fagurfr\u00e6\u00f0ilega fr\u00e1brug\u00f0in \u00f6\u00f0rum \u00e1l\u00edka b\u00f3kum og s\u00f6gur af svona f\u00f3lki eru \u00ed n\u00e6rri \u00f6llum sj\u00e1lfs- og sk\u00e1ld\u00e6vis\u00f6gum. \u00dea\u00f0 \u00fe\u00fd\u00f0ir ekki a\u00f0 sagan s\u00e9 ekki \u00e1hrifar\u00edk. Og \u00fea\u00f0 sem h\u00fan hefur \u00fe\u00e1 fram a\u00f0 f\u00e6ra sem t\u00ed\u00f0indi er a\u00f0 heimurinn s\u00e9 sums sta\u00f0ar og stundum alltaf eins. *** The Dead Don\u2019t Die er n\u00fdjasta mynd Jims Jarmusch. Einsog margar mynda hans er h\u00fan skreytt miklum stj\u00f6rnufansi \u2013 Bill Murray, Tilda Swinton, Tom Waits, Adam Driver, Steve Buscemi og Chloe Sevigny eru \u00ed bur\u00f0arhlutverkunum og aukaleikararnir eru ekkert minna sjarmerandi f\u00f3lk. H\u00fan ber \u00feess merki a\u00f0 vera verk h\u00f6fundar sem \u00fearf ekki lengur a\u00f0 sanna eitt e\u00f0a neitt. Framvindan er mj\u00f6g k\u00e6ruleysisleg \u2013 \u00fea\u00f0 er ekkert veri\u00f0 a\u00f0 ey\u00f0a t\u00edma \u00ed \u00fatsk\u00fdringar e\u00f0a endahn\u00fdtingar. Verkinu bara vindur fram, f\u00f3lki\u00f0 \u00ed henni ver\u00f0ur fyrir s\u00f6gumennskunni, og allt er \u00feetta mj\u00f6g \u00f3e\u00f0lilegt og klunnalegt og meikar ekkert sens. Sem svo aftur er allur sjarminn \u2013 myndin er b\u00f3kstaflega fr\u00e1b\u00e6r fyrir \u00feetta. Snyrtilegri zomb\u00edmynd (\u00feetta er zomb\u00edmynd) hef\u00f0i \u00e1rei\u00f0anlega ekki sta\u00f0ist neinn samanbur\u00f0 vi\u00f0 \u00feetta undarlega verk; heldur veri\u00f0 fyrirsj\u00e1anlegt rusl. Samt\u00f6l og senur eru \u00f6ll d\u00e1samleg og svo m\u00e1 ekki vanmeta \u00feennan leikarah\u00f3p \u2013 \u00fea\u00f0 eru aldrei minna en tv\u00f6 hundru\u00f0 k\u00edl\u00f3 af hreinum sjarma \u00ed mynd \u00ed einu og stundum miklu meira. *** \u00c9g f\u00f3r \u00e1 samtal vi\u00f0 rith\u00f6fundinn Arundhati Roy \u00e1 b\u00f3kamessunni \u00ed Lviv \u00e1 f\u00f6studag. \u00deetta var tveggja t\u00edma vi\u00f0tal og \u00fea\u00f0 var fari\u00f0 um v\u00ed\u00f0an v\u00f6ll. H\u00fan byrja\u00f0i spjalli\u00f0 \u00e1 a\u00f0 hafna \u00f6llum skilgreiningum \u00e1 s\u00e9r sem b\u00f3kmenntastj\u00f6rnu, h\u00fan v\u00e6ri bara venjuleg kona sem hef\u00f0i gaman af a\u00f0 lifa \u00ed b\u00f3kum. Mig langa\u00f0i svol\u00edti\u00f0 a\u00f0 standa upp og spyrja hvort h\u00fan hef\u00f0i \u00fe\u00e1 l\u00edka \u00feurft a\u00f0 s\u00e6kja um styrk fyrir fluginu s\u00ednu (einsog vi\u00f0 gestir b\u00f3kamessunnar \u00e1 b-farr\u00fdmi \u00feurftum a\u00f0 gera \u2013 \u00e9g var svol\u00edti\u00f0 pirra\u00f0ur yfir \u00feessu, af \u00fev\u00ed \u00e9g haf\u00f0i fengi\u00f0 a\u00f0 vita \u00fea\u00f0 svo seint, l\u00f6ngu b\u00fainn a\u00f0 \u00feiggja bo\u00f0i\u00f0, og veit enn ekki hvort \u00e9g f\u00e1i styrkinn en auglj\u00f3slega b\u00fainn a\u00f0 leggja \u00fat fyrir fluginu, allt mj\u00f6g bagalegt og haf\u00f0i ekkert me\u00f0 Arundhati Roy a\u00f0 gera, vel a\u00f0 merkja). Mest tala\u00f0i h\u00fan um indverskt samf\u00e9lag og sag\u00f0i me\u00f0al annars, sem m\u00e9r \u00fe\u00f3tti \u00e1hugavert, a\u00f0 sennilega tignu\u00f0u indverjar hina fri\u00f0samlegu bar\u00e1ttu \u2013 non-violence \u2013 einmitt vegna \u00feess a\u00f0 l\u00edf \u00feeirra v\u00e6ru \u00f6ll m\u00f6rku\u00f0 \u00e1str\u00ed\u00f0u fyrir ofbeldi, ofbeldi v\u00e6ri lausn indverja \u00e1 \u00f6llu. \u00de\u00e1 tala\u00f0i h\u00fan l\u00edka talsvert um a\u00f0 Indland v\u00e6ri enn kolon\u00edsera\u00f0 en n\u00fa af hind\u00faum \u2013 a\u00f0 v\u00edsu me\u00f0 \u00feeim fyrirvara yfirleitt a\u00f0 \u201emargir \u00e1litu\u201c \u00feetta, frekar en a\u00f0 h\u00fan v\u00e6ri \u00f3hika\u00f0 a\u00f0 segja \u00feetta sj\u00e1lf. H\u00fan eyddi l\u00edka talsver\u00f0um t\u00edma \u00ed a\u00f0 r\u00e6\u00f0a hugmyndir um r\u00f3tt\u00e6ka endursk\u00f6pun sk\u00e1lds\u00f6gunnar sem listforms \u2013 og a\u00f0 \u00fea\u00f0 v\u00e6ri tilraunin sem v\u00e6ri f\u00f3lgin \u00ed n\u00fdju b\u00f3kinni hennar, The Ministry of Utmost Happiness. Sem mig f\u00f3r \u00fe\u00e1 a\u00f0 langa a\u00f0 lesa aftur. \u00c9g einhvern veginn n\u00e1\u00f0i henni ekki n\u00f3gu vel \u00e1 s\u00ednum t\u00edma. *** Vi\u00f0 Haukur M\u00e1r skelltum okkur \u00e1 s\u00fdninguna Garten der irdischen Freuden \u00ed Gropiusbau \u00ed Berl\u00edn. \u00c1 sunnudag, hefur \u00fea\u00f0 veri\u00f0. S\u00fdningin er me\u00f0 \u00fatgangspunkt \u00ed verki Hieronymusar Bosch, \u00cd gar\u00f0i hinnar jar\u00f0nesku s\u00e6lu, og hangir mi\u00f0myndin \u00ed tript\u00fdkinni \u00ed einum salnum. \u00cd \u00feessum gar\u00f0i \u201ekenndi margra grasa\u201c einsog ma\u00f0ur segir og verkin voru afar mis\u00e1hugaver\u00f0. \u00c9g var \u00fev\u00ed mi\u00f0ur of latur a\u00f0 n\u00f3tera hj\u00e1 m\u00e9r n\u00f6fn h\u00f6funda og kenni flug\u00fereytu (og \u00feynnku) um. Frammi \u00ed st\u00f3ra salnum var margra h\u00e6\u00f0a stofumubla me\u00f0 pottapl\u00f6ntum og g\u00f6mlum litlum sj\u00f3nv\u00f6rpum og st\u00f6ku b\u00f3k \u00e1 stangli \u2013 \u00fe\u00e6r \u00e1ttu \u00fea\u00f0 allar sameiginlegt a\u00f0 vera um kyn\u00fe\u00e1ttam\u00e1l og fyrst og fremst bandar\u00edskra bl\u00f6kkumanna. \u00cd sj\u00f3nv\u00f6rpunum var veri\u00f0 a\u00f0 r\u00e6\u00f0a svipa\u00f0a hluti. Vi\u00f0 s\u00e1tum lengi fyrir framan Bosch og t\u00f6ldum fiska, sko\u00f0u\u00f0um skuggaverur, og reyndum a\u00f0 koma auga \u00e1 n\u00fdja og n\u00fdja hluti. \u00dea\u00f0 er au\u00f0vita\u00f0 mj\u00f6g miki\u00f0 \u00ed \u00feessu. \u00deetta er hin org\u00edulausa org\u00eda \u2013 er\u00f3t\u00edk \u00e1n hins ska\u00f0lega hungurs, \u00e1n \u00e1str\u00ed\u00f0u. \u00cd einum salnum var mold \u00e1 g\u00f3lfinu og st\u00f3rir sj\u00f3nvarpsskj\u00e1ir \u00e1 undarlegum f\u00f3tum sem s\u00fdndu gr\u00e6nku og hlj\u00f3\u00f0verk \u00far h\u00e1t\u00f6lurum sem var b\u00fai\u00f0 a\u00f0 b\u00faa um einsog fuglakofa (setja tr\u00e9\u00feak \u00e1 \u00fe\u00e1 og f\u00f3t). \u00deessi stemning var g\u00f3\u00f0 \u2013 \u00e9g f\u00edla\u00f0i \u00feetta \u2013 en \u00e9g man ekki hva\u00f0 hlj\u00f3\u00f0verki\u00f0 var einu sinni. Besta verki\u00f0 var myndbandsverk sem ma\u00f0ur sko\u00f0a\u00f0i me\u00f0 \u00fev\u00ed a\u00f0 leggjast \u00e1 g\u00f3lfi\u00f0 og horfa \u00e1 \u00fea\u00f0 \u00ed loftinu. Ramminn var egglaga og \u00ed honum ger\u00f0ist \u00fdmislegt \u2013 \u00fea\u00f0 var svo n\u00e1tengd Bosch-verkinu a\u00f0 \u00fea\u00f0 hl\u00fdtur eiginlega a\u00f0 vera byggt \u00e1 \u00fev\u00ed (verkin voru samt \u00e1rei\u00f0anlega ekki ger\u00f0 fyrir \u00feetta sj\u00f3). Aftur voru l\u00edkamar, nekt, gr\u00f3\u00f0ur og aftur einhvern veginn alveg berir og \u00ed mikilli n\u00e6rmynd en samt ekki agress\u00edfir, ekki gredduvekjandi e\u00f0a gredda \u00ed \u00feeim. \u00c9g man eftir konum \u00ed le\u00f0juslag og n\u00e6rmynd af putta a\u00f0 pota \u00ed pung. Oft voru n\u00e6rmyndirnar samt einmitt \u00feannig a\u00f0 ma\u00f0ur var ekkert alveg viss hva\u00f0 ma\u00f0ur v\u00e6ri a\u00f0 horfa \u00e1. Yayoi Kusama var me\u00f0 doppuverk. Herbergi fullt af doppum og t\u00fal\u00edpanar, minnir mig. Mj\u00f6g dopp\u00f3tt. Eitt verki\u00f0 var bara brotnar k\u00f3kfl\u00f6skur \u00e1 st\u00f3rum palli. Merkilega f\u00ednt \u2013 einhvern veginn a\u00f0la\u00f0andi og lj\u00faft. Mann langa\u00f0i a\u00f0 leggjast \u00ed \u00feetta. Og \u00e1 sama t\u00edma au\u00f0vita\u00f0 alls ekki. *** \u00cd Lviv f\u00f3r \u00e9g l\u00edka \u00e1 samtal vi\u00f0 rith\u00f6fundinn Mark Forsyth sem gaf \u00fat b\u00f3kina A Short History of Drunkenness. Hann sag\u00f0i \u00fdmislegt \u00e1hugavert \u2013 t.d. a\u00f0 upplifun f\u00f3lks af \u00e1fengisv\u00edmu v\u00e6ri mj\u00f6g mismunandi milli menningarheima. Ef ma\u00f0ur byggist vi\u00f0 \u00fev\u00ed a\u00f0 ver\u00f0a yfirvega\u00f0ur og fullur af h\u00f6fgi af \u00e1fengi \u00fe\u00e1 yr\u00f0i ma\u00f0ur yfirvega\u00f0ur og fullur af h\u00f6fgi, ef ma\u00f0ur byggist vi\u00f0 \u00fev\u00ed a\u00f0 ver\u00f0a ofbeldisfullur yr\u00f0i ma\u00f0ur \u00fea\u00f0, ef ma\u00f0ur byggist vi\u00f0 \u00fev\u00ed a\u00f0 dofna dofna\u00f0i ma\u00f0ur, ef ma\u00f0ur byggist vi\u00f0 \u00fev\u00ed a\u00f0 \u00e6sast upp og fara a\u00f0 dansa og syngja \u00fe\u00e1 ger\u00f0i ma\u00f0ur \u00fea\u00f0. \u00cd menningarheimum \u00fear sem f\u00f3lk s\u00e9r ofsj\u00f3nir \u00ed \u00e1fengisv\u00edmu s\u00e9r f\u00f3lk ofsj\u00f3nir \u00feegar \u00fea\u00f0 drekkur; \u00feeir sem fara \u00e1 vit Gu\u00f0s \u00ed gegnum fl\u00f6skuna sj\u00e1 Gu\u00f0. A\u00f0 v\u00edsu var h\u00f6fundurinn a\u00f0 staupa sig \u00e1 svi\u00f0inu svo \u00e9g veit ekki hva\u00f0 var a\u00f0 marka hann. Hann nefndi l\u00edka a\u00f0 \u00e1fengisbanni\u00f0 \u00ed Bandar\u00edkjunum hef\u00f0i veri\u00f0 femin\u00edskt pr\u00f3jekt \u00e1 s\u00ednum t\u00edma og sett \u00e1 til \u00feess a\u00f0 hl\u00edfa konum vi\u00f0 \u00fev\u00ed a\u00f0 karlarnir f\u00e6ru \u00fat \u00e1 bar me\u00f0 \u00f6ll launin og k\u00e6mu svo fullir heim og ber\u00f0u \u00fe\u00e6r. \u00c1 \u00feeim t\u00edma voru konur v\u00edst svo gott sem banna\u00f0ar \u00e1 kn\u00e6pum (\u00e9g reikna me\u00f0, \u00fe\u00f3tt hann hafi ekki teki\u00f0 \u00fea\u00f0 fram, a\u00f0 v\u00e6ndiskonur hafi veri\u00f0 undanskildar) og \u00fear var miki\u00f0 slegist. \u00c9g man eftir a\u00f0 hafa lesi\u00f0 \u00ed b\u00f3k um kokteilamenninguna \u00ed San Francisco a\u00f0 \u00feegar menn voru a\u00f0 lauma einhverju \u00ed glasi\u00f0 hj\u00e1 f\u00f3lki \u00e1 b\u00f6rum \u00e1 n\u00edtj\u00e1ndu \u00f6ldinni hafi \u00fea\u00f0 veri\u00f0 til a\u00f0 r\u00e6na karlmenn frekar en nau\u00f0ga konum. Nema hva\u00f0. Drykkju lauk au\u00f0vita\u00f0 ekki me\u00f0 \u00e1fengisbanninu heldur f\u00e6r\u00f0ist inn \u00e1 hinar svonefndu speakeasys og sag\u00f0i Forsyth a\u00f0 \u00fea\u00f0 hef\u00f0i \u00ed raun veri\u00f0 fyrst \u00fear sem konur f\u00f3ru a\u00f0 drekka af einhverju viti og s\u00fa drykkjumenning sem vi\u00f0 \u00feekkjum \u00ed dag hafi or\u00f0i\u00f0 til. Forsyth, sem er \u00f3h\u00e6tt a\u00f0 segja a\u00f0 s\u00e9 mikill talsma\u00f0ur drykkju, var \u00feannig nokku\u00f0 \u00f3v\u00e6nt bara mj\u00f6g \u00e1n\u00e6g\u00f0ur me\u00f0 \u00e1fengisbanni\u00f0 og vildi meina a\u00f0 \u00fea\u00f0 hafi \u00fej\u00f3na\u00f0 tilgangi s\u00ednum mj\u00f6g vel \u2013 \u00feegar \u00fev\u00ed lauk hafi drykkjumenningin st\u00f3rsk\u00e1na\u00f0. \u00c9g er sj\u00e1lfur mikill \u00e1hugama\u00f0ur um kn\u00e6pur \u2013 ekki bara a\u00f0 sitja \u00fear sj\u00e1lfur a\u00f0 sumbli, \u00fe\u00f3tt \u00fea\u00f0 komi fyrir, heldur um fyrirb\u00e6ri\u00f0 sem r\u00fdmi \u00ed veruleikanum \u00fear sem a\u00f0 jafna\u00f0i hafa gilt a\u00f0rar og frj\u00e1lslegri reglur en \u00fati \u00e1 g\u00f6tu. Svona saturday night fever reglur \u00e1 sumum b\u00f6rum en subbulegri \u00e1 \u00f6\u00f0rum \u2013 kn\u00e6pur voru lengi afdrep ja\u00f0arf\u00f3lks (t.d. Stonewall \u2013 en l\u00edka bara Keisarinn). \u00dear situr f\u00f3lk \u00ed reykfylltu myrkri me\u00f0 deyf\u00f0 skynf\u00e6ri, oft \u00ed h\u00e1v\u00e6ru skvaldri e\u00f0a t\u00f3nlist, og segir hluti sem \u00fea\u00f0 myndi aldrei segja \u2026 ja, t.d. \u00ed r\u00e6\u00f0ust\u00f3l Al\u00feingis \u2026 f\u00e6r \u00fatr\u00e1s (\u00e1n \u00feess \u00e9g \u00e6tli a\u00f0 h\u00e6tta m\u00e9r neitt \u00fat \u00e1 \u00fe\u00e1 braut a\u00f0 verja klaustursd\u00f3lgana vel a\u00f0 merkja). \u00dear r\u00edkir samt\u00edmis meira \u00e1lag og meira umbur\u00f0arlyndi og einn af grunnkostum kn\u00e6punnar sem r\u00fdmis er a\u00f0 \u00fea\u00f0 er h\u00e6gt a\u00f0 st\u00edga \u00fat \u00far henni og aftur \u00fat \u00ed uppl\u00fdstan veruleikann. Ma\u00f0ur velur a\u00f0 vera \u00fear inni \u2013 fara \u00fear inn \u2013 en au\u00f0vita\u00f0 er ma\u00f0ur ekki alltaf alveg viss um hva\u00f0 ma\u00f0ur er a\u00f0 sam\u00feykkja me\u00f0 \u00fev\u00ed a\u00f0 fara \u00fear inn e\u00f0a hverjar f\u00e9lagslegar reglur sta\u00f0arins eru (og \u00e1 s\u00ed\u00f0ustu 100 \u00e1rum hafa \u00fe\u00e6r sm\u00e1m saman or\u00f0i\u00f0 \u00e1\u00feekkari reglunum \u00ed hva\u00f0a kringlu e\u00f0a kirkju sem er). \u00c9g veit aldrei alveg hva\u00f0 m\u00e9r finnst um tilraunir til \u00feess a\u00f0 hreinsa til \u00e1 kn\u00e6punni \u2013 breyta henni \u00ed uppl\u00fdst r\u00fdmi. A\u00f0fer\u00f0irnar eru margar \u2013 \u00ed fyrsta lagi er n\u00e1tt\u00farulega reykingabanni\u00f0, \u00ed \u00f6\u00f0ru lagi breyttar si\u00f0venjur (t.d. held \u00e9g a\u00f0 tolerans fyrir kl\u00edpingum og d\u00f3nalegum athugasemdum s\u00e9 alveg fyrir b\u00ed), \u00ed \u00feri\u00f0ja lagi \u00f6ryggismyndav\u00e9lar, \u00ed fj\u00f3r\u00f0a lagi s\u00edmamyndav\u00e9lar og twitter (vi\u00f0 h\u00f6fum mj\u00f6g kraftmiki\u00f0 eftirlit hvert me\u00f0 \u00f6\u00f0ru), \u00ed fimmta lagi alls kyns dressk\u00f3\u00f0ar og svo framvegis og svo framvegis. Sennilega er (\u00ed alv\u00f6ru) bara t\u00edmaspursm\u00e1l hven\u00e6r \u00fea\u00f0 ver\u00f0ur tab\u00fa a\u00f0 vera fullur \u00e1 kn\u00e6pu \u2013 og jafnvel bara banna\u00f0. *** \u00c9g er enn a\u00f0 d\u00edla vi\u00f0 n\u00fdja Stratocasterinn minn \u2013 sem er d\u00e1semd. Af \u00fev\u00ed tilefni er g\u00edtarleikari vikunnar \u201ehinn\u201c meistari Stratocastersins \u2013\u00a0Stevie Ray Vaughan.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00dea\u00f0 v\u00e6ri ofs\u00f6gum sagt a\u00f0 Between Two Ferns: The Movie s\u00e9 g\u00f3\u00f0 og \u00fea\u00f0 v\u00e6ri lygi a\u00f0 segja a\u00f0 h\u00fan v\u00e6ri sl\u00e6m. Kannski er h\u00fan fyrst og fremst \u2013 einsog \u00fe\u00e6ttirnir sem h\u00fan er bygg\u00f0 \u00e1 \u2013 s\u00e9rvitur. Zach Galifianakis leikur samnefndar karakter sem er me\u00f0 \u201epublic access\u201c sj\u00f3nvarps\u00fe\u00e1tt \u00ed Bandar\u00edkjunum \u00fear sem hann tekur … Halda \u00e1fram a\u00f0 lesa: createdTimestamp““:““2024-05-08T17:16:08.684Z““<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5653","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5653"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5653\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}