\u00deetta eru nokkrir dyggir f\u00e9lagar \u00ed Nor\u00f0ur K\u00f3reska landhernum. F\u00e1ir d\u00e1tar eru jafn aga\u00f0ir e\u00f0a b\u00faa yfir jafn t\u00edgulegri og f\u00e1ga\u00f0ri g\u00f6ngut\u00e6kni. Margir \u00feeirra eru vel a\u00f0 merkja ekki \u00feeir heldur \u00fe\u00e6r. \u00deau, \u00feeir, \u00fe\u00e6r handleika l\u00edka talsver\u00f0an sprengikraft, einsog sj\u00e1 m\u00e1 \u00e1 myndinni. *** \u00deetta er hins vegar tasman\u00edudj\u00f6fullinn. Hann er \u00f3aga\u00f0ur og b\u00fdr yfir litlum \u00feokka (en d\u00e1litlum sjarma samt) \u2013 hann er miklu n\u00e6r \u00fev\u00ed a\u00f0 vera einhvers konar n\u00e1tt\u00faruafl. \u00dea\u00f0 er h\u00e6gt a\u00f0 nota hann sem vopn \u2013 einsog hermennina h\u00e9r a\u00f0 ofan \u2013 en \u00fea\u00f0 er ekki h\u00e6gt a\u00f0 \u00e6tlast til \u00feess a\u00f0 hann \u00ferammi \u00ed takt. *** Angus Young er \u00ed senn nor\u00f0ur k\u00f3reskur herma\u00f0ur og tasman\u00edudj\u00f6full. Hann er f\u00e6r um brj\u00e1l\u00e6\u00f0islega aga\u00f0an og tekn\u00edskt fullkominn g\u00edtarleik \u2013 en stundum er honum einfaldlega siga\u00f0 \u00e1 t\u00f3nlistina me\u00f0 ekkert nema botnlaust kaosi\u00f0 s\u00e9r til handargagns. Lykilriffi\u00f0 \u00ed Thunderstruck, opnunarlagi Razors Edge, er d\u00e6mi um hi\u00f0 fyrrnefnda. \u00dear m\u00e1 segja a\u00f0 hann krosspikki \u00e1 einum streng (sem er m\u00f3ts\u00f6gn, vel a\u00f0 merkja) af d\u00e6malausri fingrafimi. Hann plokkar hverja n\u00f3tu \u2013 engin pull-off og engin hammer-ons. Lagl\u00ednan er eitt af m\u00f6rgum d\u00e6mum um k\u00e1ntr\u00ed\u00e1hrif \u00ed lagasm\u00ed\u00f0um sveitarinnar. Undir \u00feessu leikur Malcolm br\u00f3\u00f0ir hans einhvern fallegasta einshlj\u00f3msrytma fr\u00e1 \u00fev\u00ed Bo Diddley samdi lagi\u00f0 um sj\u00e1lfan sig um \u00e1ri\u00f0. *** \u00dea\u00f0 er \u00f3tr\u00falega gaman a\u00f0 horfa bara \u00e1 \u00fe\u00e1 hreyfa sig. Malcolm d\u00faar allur, Cliff p\u00falsar, Angus sn\u00fdst \u00ed hringi og \u00fe\u00fdtur um einsog \u00fea\u00f0 s\u00e9 kvikna\u00f0 \u00ed honum og Brian belgir sig \u00e1 me\u00f0an hinn n\u00fdr\u00e1\u00f0ni Chris Slade hamrar trommurnar af miklum m\u00f3\u00f0. \u00deegar lagi\u00f0 er b\u00fai\u00f0 er Cliff l\u00edka alveg m\u00f3\u00f0ur. \u00dea\u00f0 eru f\u00e1ar sveitir sem jafn r\u00e6kilega breytast \u00ed t\u00f3nlistina sem h\u00fan spilar \u2013 renna saman vi\u00f0 hana. *** Chris trommar reyndar aftur fyrir hlj\u00f3msveitina \u00ed dag \u2013 t\u00f3k vi\u00f0 af fyllibyttunni og d\u00f3pistanum Phil Rudd \u00feegar hann \u00ed anna\u00f0 sinn lag\u00f0i l\u00edf sitt \u00ed r\u00fast \u00ed hittifyrra. Og Chris er ekkert s\u00ed\u00f0ri en Phil (anna\u00f0 en Simon Wright sem spila\u00f0i megni\u00f0 af n\u00edunda \u00e1ratugnum og gat ekki tromma\u00f0 rokk frekar en Math\u00edas Hemstock, einsog \u00feeir eru n\u00fa \u00e1g\u00e6tir \u00ed anna\u00f0). *** Razors Edge er auglj\u00f3st kombakk fyrir sveitina sem hefur ekki haldi\u00f0 temp\u00f3i \u2013 ekki n\u00e1\u00f0 a\u00f0 kjarna sig sem skyldi \u2013 fr\u00e1 Back in Black. L\u00edkt og fyrir Back in Black hefur h\u00e9r or\u00f0i\u00f0 st\u00f3r breyting \u00ed s\u00f6ngm\u00e1lum \u2013 \u00fe\u00f3tt ekki hafi veri\u00f0 skipt um s\u00f6ngvara er \u00feetta \u00ed anna\u00f0 sinn \u00ed s\u00f6gu sveitarinnar sem skipt er um textah\u00f6fund. Fyrst t\u00f3k Brian au\u00f0vita\u00f0 vi\u00f0 af Bon en h\u00e9r taka br\u00e6\u00f0urnir vi\u00f0 af Brian \u2013 sem er hreinlega settur af. \u00deetta kom b\u00e6\u00f0i til af \u00fev\u00ed a\u00f0 hann er ekki g\u00f3\u00f0ur textasmi\u00f0ur, oft hreinlega mj\u00f6g vandr\u00e6\u00f0alega l\u00e9legur, en l\u00edka af \u00fev\u00ed Brian st\u00f3\u00f0 \u00ed mi\u00f0jum skilna\u00f0i \u2013 og raunar f\u00e6r ma\u00f0ur \u00e1 tilfinninguna a\u00f0 s\u00e1 skilna\u00f0ur s\u00e9 kjarninn \u00ed textanum vi\u00f0 Moneytalks. The claim is on you
\n The sights are on me
\n So what do you do
\n That\u2019s guaranteed
\n Hey little girl, you want it all
\n The furs, the diamonds, the painting on the wall
\n Come on, come on, love me for the money
\n Come on, come on, listen to the moneytalk *** Hann k\u00e6r\u00f0i sig v\u00edst heldur ekkert um a\u00f0 taka aftur vi\u00f0 textakeflinu. Sag\u00f0ist gu\u00f0s lifandi feginn a\u00f0 vera h\u00e6ttur a\u00f0 \u00feurfa a\u00f0 gera sig a\u00f0 f\u00edfli. *** Hva\u00f0 sem \u00fev\u00ed l\u00ed\u00f0ur er \u00e1hugavert a\u00f0 veita \u00fev\u00ed athygli a\u00f0 l\u00edkt og Back in Black hefst \u00e1 v\u00edsun \u00ed \u00ferumuve\u00f0ri\u00f0 \u2013 \u201eI\u2019m rolling thunder, pouring rain\/ \u00a0I\u2019m coming on like a hurricane\u201c \u2013 sem myndl\u00edking fyrir endurf\u00e6\u00f0inguna, rafurmagni\u00f0 sem bl\u00e6s \u00fer\u00f3tti \u00ed \u00feennan Frankenstein ri\u00f0straums og jafnstraums, sj\u00e1lfan l\u00edfgjafann \u2013 \u00fe\u00e1 byrjar Thunderstruck (auglj\u00f3slega) \u00e1 sama m\u00e1ta, \u00fear sem \u00feruman er \u00e1k\u00f6llu\u00f0 \u00ed taktf\u00f6stum og \u00feungum regndansi. Thunder! Thunder! *** \u00dea\u00f0 er l\u00edka \u00e1hugavert a\u00f0 har\u00f0giftu g\u00edtarleikararnir Young & Young \u2013\u00a0sem n\u00fa eru \u00feess utan b\u00e1\u00f0ir skrj\u00e1fa\u00feurrir, eftir a\u00f0 Malcolm kom \u00far me\u00f0fer\u00f0 \u2013\u00a0semja eiginlega bara texta um fyller\u00ed og upp\u00e1fer\u00f0ir. Sem er sennilega \u00fea\u00f0 sem \u00e1heyrendur \u00feeirra vildu heyra. *** Angus er ekki alltaf besti s\u00f3l\u00f3g\u00edtarleikarinn \u2013 s\u00f3l\u00f3in \u00e1 pl\u00f6tunum er flest komp\u00f3neru\u00f0 en hann eltir \u00feau aldrei nema a\u00f0 hluta \u00e1 t\u00f3nleikum, sleppir s\u00e9r frekar lausum og gerir \u2026 bara eitthva\u00f0, s\u00fdnist m\u00e9r. \u00dea\u00f0 er ekkert or\u00f0 sem l\u00fdsir \u00feessu betur en d\u00fdrslegt, eins klisjulegt og \u00fea\u00f0 n\u00fa er (s\u00e9rstaklega \u00feegar \u00e9g er b\u00fainn a\u00f0 segja \u00fea\u00f0 svona tuttugu sinnum). En au\u00f0vita\u00f0 fer \u00feetta l\u00edka eftir \u00fev\u00ed hva\u00f0 ma\u00f0ur kallar \u201ebesti\u201c \u2013 hva\u00f0 er best. \u00dea\u00f0 er enginn g\u00edtarleikari, fyrr e\u00f0a s\u00ed\u00f0ar, sem hefur spila\u00f0 af jafn miklum sprengikrafti \u2013 og \u00fea\u00f0 eru f\u00e1ir sem hitta mig jafn r\u00e6kilega \u00ed hjartasta\u00f0. E\u00f0a \u00fe\u00fa veist, hittir mig \u00ed lo\u00f0inn og lj\u00f3tan punginn. \u00a0H\u00e9r er eitt besta d\u00e6mi\u00f0 af Razors Edge (allra, allra bestu d\u00e6min eru samt af live uppt\u00f6kum fr\u00e1 \u00e1ttunda \u00e1ratugnum \u2013 n\u00e1nast hverri sem er \u2013 og s\u00f3l\u00f3i\u00f0 \u00ed titillaginu er l\u00edka helsturla\u00f0, \u00fea\u00f0 er h\u00e9r a\u00f0eins ne\u00f0ar). *** There\u2019s fightin\u2019 on the left
\n And marching on the right
\n Don\u2019t look up in the sky
\n You\u2019re gonna die of fright
\n Here comes the razor\u2019s edge
\n You\u2019re livin\u2019 on the edge
\n Don\u2019t know wrong from right
\n They\u2019re breathin\u2019 down you\u2019re neck
\n You\u2019re runnin\u2019 out of lives
\n Here comes the razor\u2019s edge *** Razors Edge er einn af bestu textum AC\/DC fr\u00e1 upphafi \u2013 sem er ekki l\u00edti\u00f0 sagt, \u00fev\u00ed \u00fe\u00f3tt Brian hafi ekki sami\u00f0 g\u00f3\u00f0an texta \u00ed heilan \u00e1ratug \u00feegar h\u00e9r er komi\u00f0 s\u00f6gu \u00fe\u00e1 er Back in Black miki\u00f0 lj\u00f3\u00f0verk og sj\u00f6undi \u00e1ratugurinn me\u00f0 Bon \u00ed fararbroddi n\u00e1tt\u00farulega d\u00e1semd. En \u00fea\u00f0 er eitthva\u00f0 vi\u00f0 \u00feessa myndl\u00edkingu h\u00e9r \u2013 um rakv\u00e9larbla\u00f0i\u00f0 sem \u00e9g s\u00e9 fyrir m\u00e9r a\u00f0 ma\u00f0ur eigi von \u00e1 af himnum ofan, einsog gu\u00f0 \u00e6tli a\u00f0 sl\u00e9ttraka jar\u00f0kringluna. Lagi\u00f0 er l\u00edka me\u00f0 einhverjum austr\u00e6num \u00e1hrifum \u2013 \u00fea\u00f0 er talsvert miki\u00f0 af svona sm\u00e1 snerti af hinu og \u00feessu \u00ed l\u00f6gum AC\/DC, eiginlega alveg fr\u00e1 upphafi (t.d. sekkjap\u00edpurnar \u00ed It\u2019s a Long Way to the Top) og ver\u00f0ur meira \u00e1 n\u00e6stu pl\u00f6tum \u2013 k\u00f6ntr\u00ed, b\u00fag\u00ed, bl\u00fas og rokk segir sig sj\u00e1lft, en l\u00edrukassam\u00fas\u00edk, \u00fej\u00f3\u00f0l\u00f6g og alls kyns heimst\u00f3nlist koma meira \u00e1 \u00f3vart. *** \u201eVersti\u201c texti pl\u00f6tunnar kemur svo strax \u00e1 eftir Razors Edge, einsog til a\u00f0 kolefnisjafna lj\u00f3\u00f0r\u00e6nuna \u00ed Razors Edge (\u00feeim finnst ekkert mj\u00f6g au\u00f0velt a\u00f0 taka sig alvarlega). Lagi\u00f0 Mistress for Christmas fjallar um n\u00faverandi forseta Bandar\u00edkjanna og kvensemi hans. \u00cd einhverjum skilningi er hann au\u00f0vita\u00f0 alveg fr\u00e1b\u00e6r, og l\u00fdsandi fyrir Donald, en l\u00ed\u00f0ur l\u00edka fyrir hva\u00f0 lagi\u00f0 sj\u00e1lft er miki\u00f0 jingle. I like female form, in minimum dress
\n Money to spend with a capital \u201cS\u201d
\n Get a date with the woman in red
\n Wanna be in heaven with three in a bed
\n He got it, I want it
\n They got it, I can\u2019t have it
\n But I want it, but it don\u2019t matter
\n She got it and I can\u2019t get it
\n I want a mistress for Christmas *** Vi\u00f0 fyrstu hlustun \u00fe\u00f3tti m\u00e9r sem seinni hluti pl\u00f6tunnar \u2013 b-hli\u00f0in \u2013 v\u00e6ri of latur, l\u00f6gin hef\u00f0u m\u00e6tt afgangi. En eftir \u00fev\u00ed sem a\u00f0 \u00e9g rifja\u00f0i hann betur upp \u00fev\u00ed betri finnst m\u00e9r hann. Are You Ready, au\u00f0vita\u00f0, Got You By the Balls, Good Bye and Good Riddance to Bad Luck \u2013 \u00feetta eru allt massal\u00f6g \u00fe\u00f3tt \u00feau s\u00e9u ekki Thunderstruck e\u00f0a Razors Edge. Og bo\u00f0ar helv\u00edti gott fyrir gj\u00f6fulan t\u00edunda \u00e1ratuginn. *** Og svo er h\u00fan kl\u00e1ru\u00f0 \u00e1 \u00feessum stranghei\u00f0arlega bl\u00fassrokkslagara \u2013 \u00feetta g\u00e6ti veri\u00f0 Mugisonlag. #ACDC<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00deetta eru nokkrir dyggir f\u00e9lagar \u00ed Nor\u00f0ur K\u00f3reska landhernum. F\u00e1ir d\u00e1tar eru jafn aga\u00f0ir e\u00f0a b\u00faa yfir jafn t\u00edgulegri og f\u00e1ga\u00f0ri g\u00f6ngut\u00e6kni. Margir \u00feeirra eru vel a\u00f0 merkja ekki \u00feeir heldur \u00fe\u00e6r. \u00deau, \u00feeir, \u00fe\u00e6r handleika l\u00edka talsver\u00f0an sprengikraft, einsog sj\u00e1 m\u00e1 \u00e1 myndinni. *** \u00deetta er hins vegar tasman\u00edudj\u00f6fullinn. Hann er \u00f3aga\u00f0ur og b\u00fdr … Halda \u00e1fram a\u00f0 lesa: id““:““cj2vb““<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5801","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5801"}],"version-history":[{"count":0,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=\/wp\/v2\/posts\/5801\/revisions"}],"wp:attachment":[{"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norddahl.org\/fjallabaksleidin\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}